Word: kazan
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...That sounds like a surreal shifting of the gears. When did you see the final cut of An Education? The first time I watched it was three days before Sundance, actually. And I thought I was completely awful. I took my friend Zoe Kazan and her mom, and I was like, "Oh my God, I'm so boring! I don't do anything with my face!" I had never really watched myself before as the star of a film. I had been in supporting roles all the time, and [with those] you can come in and then disappear...
...missed his first wife/second mother's roast chicken and chocolate layer cake. He's missed sharing nuclear family time with Jane and their three grown children, Lauren (Caitlin Fitzgerald), Luke (Hunter Parrish) and Gabby (Zoe Kazan), who look and act as though they've been ordered from the J. Crew catalogue. So what's in it for Jane? We understand that she wants the validation of finally hearing her husband admit he made a mistake. The second wife, Agness (Lake Bell), is a huge disappointment: temperamental, with "a big job," a demanding child who diminishes Stepdad Jake every chance...
...terms of maturity. It doesn't help the plot's credibility that there's something slightly off about Danes - her vivacity is a kettle threatening to boil over - and that we, along with Richard, have already met his far better match, a quirky aspiring writer (the adorable Zoe Kazan) who is his equal in unjaded excitement...
...know - like the father and daughter fighting incestuous urges in The Ballad of Jack and Rose - into not just plausible protagonists but people we truly care about. We assume Pippa has coasted through life on not much more than her beauty. The Lees' adult daughter, photojournalist Grace (Zoe Kazan), is crazy about her daddy, but when she directs her attention at her mother it's usually to give her a scathing look. Pippa's neurotic friend Sandra (Winona Ryder) chafing under her own marriage to the overbearing Sam, describes Pippa as "peaceful and good," ostensibly with admiration, but the undercurrent...
...Oscar platform Schulberg had mounted for Waterfront proved a soapbox in A Face in the Crowd (1957), another Kazan film with Andy Griffith as Lonesome Rhodes, a singing hobo who becomes a multimedia demagogue. (The character was said to be fashioned on folksy radio and TV host Arthur Godfrey.) Lonesome's derisive description of his audience is pure Schulberg: "Rednecks, crackers, hillbillies, hausfraus, shut-ins, pea-pickers - everybody that's got to jump when somebody else blows the whistle. ... They're mine! I own 'em! They think like I do. Only they're even more stupid than...