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Word: kazan (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...then straight to Broadway. She joined the Theatre Guild as a part-time secretary, worked her way up through odd jobs to casting director, quit in 1931 to become a founder and director of the fiery young Group Theatre, which launched Clifford Odets, Sidney Kingsley, William Saroyan, Elia Kazan, Robert Lewis, John Garfield...

Author: /time Magazine | Title: The Theater: New Musical Play in Manhattan, Nov. 14, 1949 | 11/14/1949 | See Source »

...offer two full-length parodies that hit at least as many right notes as wrong ones: a musical-comedy Hamlet (with Dick Sykes), which has the good sense to swipe its music, and a Streetcar-like, Salesman-like version of Cinderella as it might have been directed by Elia Kazan...

Author: /time Magazine | Title: The Theater: New Revue in Manhattan, Oct. 24, 1949 | 10/24/1949 | See Source »

...movie concentrates so relentlessly on Pinky's personal anguish that it achieves a haunting character portrait. Acting the role with an un-greasepainted face, Jeanne Grain seems like a morbid, almost marbleized Sleeping Beauty, bewitched by her conflict. Director Elia (Gentleman's Agreement) Kazan underlines the impression by having her walk with a dreamy gait, usually against the wind. As Pinky's washerwoman grandmother, Ethel Waters gives a powerful performance...

Author: /time Magazine | Title: The New Pictures, Oct. 10, 1949 | 10/10/1949 | See Source »

...Kazan has directed an artfully balanced script (by Dudley Nichols and Philip Dunne) with a heavy poetic atmosphere and shrewd attention to dramatic detail. He has pumped conflict into every scene and sustained the excitement throughout even the talky stretches...

Author: /time Magazine | Title: The New Pictures, Oct. 10, 1949 | 10/10/1949 | See Source »

...both cases, adjectives a size or two smaller might have proved a far better fit; or a distinction should have been made between the production and the show. For even more dazzling phenomena than Salesman and South Pacific themselves were the men who staged them: Elia Kazan and Joshua Logan. Director Logan, with an unbroken string of hits (Annie Get Your Gun, Happy Birthday, John Loves Mary, Mister Roberts, South Pacific) was easily Broadway's cleverest theater mind; Director Kazan, with three successive Critics' Circle awards (All My Sons, A Streetcar Named Desire, Death of a Salesman) stood...

Author: /time Magazine | Title: The Theater: Annual Report | 6/6/1949 | See Source »

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