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...professional purposes" S. P. Eagle. Hollywood roared with laughter; sports referred to one Eagle picture as The S. T. Ranger, suggested that Z. A. Nuck and L. U. Bitsch follow Sam's lead. But Spiegel played the game for twelve years, relinquishing the gag only when Director Elia Kazan told him On the Waterfront was good enough to risk his real name for. Variety headlined the news: THE EAGLE FOLDS ITS WINGS...

Author: /time Magazine | Title: Hollywood: The Emperor | 4/19/1963 | See Source »

Critics Alfred Kazan and Mary McCarthy have noted the extent to which Salinger panders to the young. In fact, the author said himself, in a Time magazine interview last year, that his true audience is "too small to take my books off the shelf." Salinger's world is like fairyland in its unreality; no unpleasant adult conflicts disturb the wonderful Glasses as they grow up. Reliance on ritual is a characteristic of the childish mentality: every cigarette lighting, tie knotting, or tea drinking is a ritual to the Glasses. The temple is the bathroom (which serves...

Author: By Charles S. Whitman, | Title: More on Seymour | 2/28/1963 | See Source »

CARNEGIE INSTITUTE OF TECHNOLOGY Elia Kazan, director D.F.A...

Author: /time Magazine | Title: Education: Kudos (Cont'd): Jun. 22, 1962 | 6/22/1962 | See Source »

...laude student at Williams who turned to interpreting another Williams on Broadway (Cat) and in Hollywood (Streetcar}, Method Director Elia Kazan, 52, finally won a scholastic laurel that eluded him when he graduated in 1930. For having brought "unfailingly high standards to all he has touched," "Gadge" Kazan was granted honorary membership in Phi Beta Kappa...

Author: /time Magazine | Title: People: May 4, 1962 | 5/4/1962 | See Source »

After Menagerie, Williams went on to his biggest hit, 1947's A Streetcar Named Desire. Powerfully directed by Elia Kazan, it marked the beginning of the dynamic Williams-Kazan entente that would dominate Broadway for more than a decade. Ups and downs of critical approval never dampened the excitement of a Williams opening: 1948's Summer and Smoke, 1951's The Rose Tattoo, 1953's Camino Real, 1955's Cat on a Hot Tin Roof, 1957's Orpheus Descending, 1958's Garden District, 1959's Sweet Bird of Youth...

Author: /time Magazine | Title: Theater: The Angel of the Odd | 3/9/1962 | See Source »

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