Word: kazimir
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Dates: during 1990-1999
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...practice, it wasn't tried in any systematic fashion until after 1910, when the three founding fathers of abstract painting--two Russians, Wassily Kandinsky and Kazimir Malevich, and a Dutchman, Piet Mondrian--came, more or less simultaneously, to believe that pure form, in opposing what they saw as the deadly materialism of European culture, could open the way to a world of pure spirit. Abstraction would become a language, the key to utopian states of mental and social harmony that had been only dimly implied in art before. Abstract art would be the music of the spheres for the 20th...
...DUTCH ARTIST PIET MONdrian, along with the Russians Kazimir Malevich and Wassily Kandinsky, was one of the three founding fathers of 20th century abstract painting. The period 1910-20, when their ideas were in their first messianic flood, is a long way from us now, and the very idea of abstract art has lost some of its old modernist prestige; nobody supposes it could have become, as its makers and early evangelists supposed, the ultimate art form, the end of art history. And yet Mondrian remains an artist of extreme importance, not only because of the historic inventiveness...
...constructions of workers' materials like tin and rope and painted wood; the disembodied black and red squares of now cracking paint. French gallerygoers 100 years ago never felt like this about the art of the French Revolution. Jacques-Louis David looked old-fashioned by then, whereas Wassily Kandinsky, Kazimir Malevich, Vladimir Tatlin, El Lissitzky, Alexander Rodchenko, Liubov Popova and all their colleagues in the ism soup of the Russian artistic vanguard still look fresh and daring...
...Sometimes, as though by a benign but unforeseen planetary conjunction, exhibitions in New York City will light one another up. So it is with the present retrospectives of two of the leading figures of Russian modernism: Kazimir Malevich (1878-1935) at the Metropolitan Museum of Art and Liubov Popova (1889-1924) at the Museum of Modern...
...KAZIMIR MALEVICH, 1878-1935, National Gallery of Art, Washington. The biggest U.S. retrospective yet of a brilliant, protean member of the Russian avant- garde, too long shrouded in Soviet ideological disfavor. Through...