Word: keanu
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...later, however, that we realized that the real reason why we couldn't give them a better answer was not because we thought they could not be sexy, but because we had no concrete idea--beyond "William Baldwin," "Richard Gere" and "Keanu Reeves"--of what sexy for men is. We women have Victoria's Secret, Cosmo, Elle. In fact, there's no way we could name all the ways women are shown how to be sexy. Men, on the other hand, have very few societal clues. The Chippendales, we would argue...
...narrative. He got away with Drugstore Cowboy because its band of drugged-out dodoes were engaged in a petty crime spree that almost passed for a plot. But My Own Private Idaho is a different story. Or rather nonstory, in which a pair of homosexual hustlers (River Phoenix and Keanu Reeves) search inconclusively for the meaning of their lives. What plot it has is borrowed, improbably, from Henry IV, and whenever anyone manages to speak an entire paragraph, it is usually a Shakespearean paraphrase. But this is a desperate imposition on an essentially inert film. There's more drama...
...similar story, used as the premise for "I Love You to Death," was actually a big draw at the box-office and in video rentals. In the movie, Tracey Ullman hired William Hurt and Keanu Reeves to kill her husband, Kevin Kline...
...enlightened days, such japes are saved for Dan Quayle. But they could apply as well to a movie like POINT BREAK. No picture could be handsomer. The camera moves with bold, often devious assurance; action sequences are as sleekly muscled as the torsos of the film's jock hero (Keanu Reeves) and surfer villain (Patrick Swayze). Director Kathryn Bigelow has few peers at this aerobic cinema, as she proved a few years back with the weird, beautiful Near Dark. Here, though, limning the attempts of FBI agent Reeves to infiltrate Swayze's beach-bum bank gang, Bigelow often forsakes...
TUNE IN TOMORROW. Like the soap operas it parodies, this broad comedy teases more than it delivers in its tale of a blowsy woman (Barbara Hershey), her avid nephew (Keanu Reeves) and a radio writer (Peter Falk) who loves mischief and hates Albanians. A savory score by Wynton Marsalis, though...