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...best Dodos record for headphones, the thicker sound is disappointingly inorganic. The enveloping blanket contains some interesting elements, but Kroeber’s drums almost disappear into the background wash of noise. Throughout the album, sterile tones fill what would have been silences in their earlier work. Keaton??s addition heralds a fuller and admittedly more echoey version of their previous style, but it detracts from the band’s originally interesting simplicity. The added effects attempt, and fail, to hide fairly shoddy song writing. “Time to Die” is not as tuneful...

Author: By Candace I. Munroe, CRIMSON STAFF WRITER | Title: The Dodos | 9/18/2009 | See Source »

Overall, I’d say that “Game 6” is quite a step up since Keaton??s horrific turns in the Lindsay Lohan vehicle “Herbie Fully Loaded” and the Katie Holmes flop “First Daughter.” At least he’s making an effort to restore his career to the prominence of his Tim Burton days, and rise from the ashes of Disney spin-offs and chick-flicks...

Author: By Allegra M. Richards, CONTRIBUTING WRITER | Title: Review: Game 6 | 3/9/2006 | See Source »

Bottom Line: Don’t expect an intense sports drama focused on the World Series—unless you consider Keaton??s inexplicable New York cab-hopping an athletic feat...

Author: By Allegra M. Richards, CONTRIBUTING WRITER | Title: Review: Game 6 | 3/9/2006 | See Source »

...gossip on Scarlett Johansson’s stunning Ferretti gown, Diane Keaton??s hyper-androgynous tux and Renee Zellweger’s vintage-inspired Carolina Herrera could very well go on forever. The movies themselves seem like an afterthought. I suppose you could say that I’m still drunk on the bacchanalian wonder that is fashion at the Oscars...

Author: By Thea S. Morton, CRIMSON STAFF WRITER | Title: Fashionistas Wow and Woe on the Oscar Red Carpet | 3/5/2004 | See Source »

Most Ludicrously Overrated Performance: Diane Keaton, nominated for Best Actress, really is a gifted performer, which makes her misinterpretation of her character in Something’s Gotta Give all the more surprising and insulting. Playing an intelligent and successful 50-something playwright, Keaton??s Erica Barry falls for Jack Nicholson’s dirty old music agent like it’s 1964 and he’s a Beatle. They get it on, then he freaks out and dumps her. Are general filmgoers, much less the movie’s middle-aged target audience, really supposed...

Author: NO WRITER ATTRIBUTED | Title: Recasting Oscar | 2/27/2004 | See Source »

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