Word: keaton
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Dates: during 1940-1949
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...self-portraits which now & then appeared in Delvaux's canvases looked even more out of place than the nudes; they exhibited the frozen face and faintly old-fashioned garb of a latter-day Buster Keaton, stalking gloomily amidst his dream harem or lifting his hat to a bare-backed girl friend, as in The Meeting...
...Buster Keaton was about to be a comedy star again, for one picture at the very least. The sad-eyed Great Stone Face of the silents was making his latest comeback try in Mexico where audiences prefer their comedians pathetic. Turned 51 last week, Keaton had just finished his first Mexican picture, hoped soon to make another. He looked about the same as ever, and so did the picture: The Modern Bluebeard, or My Trip to the Moon. It had everything from life-adrift-at-sea to mistaken identity and ordeal by cops...
...course of convincing him that she loves him for himself alone, she leads Mr. Hall through some unusually footloose footage. She gets him ensnarled in a brawl in a low-life barbershop which specializes in reconditioning shiners. She goads a Job-like bus driver (Buster Keaton) into leaving his dreary route for a gently berserk tour of the moonlit seashore. She takes Hall to San Diego's Zoo where, with very sensible leisure, the camera forgets all about the plot to watch a couple of engaging bears, hindfeet clasped in paws, rock back & forth on their bottoms...
...show, but they get a lot of friendly competition from Miss Allbritton's four barbaric little brothers and from several expert comics, old & new. Irene Ryan, a virtual newcomer, does a cute, keen-edged little job as a room-seeking spinster who lands in the wrong house. Buster Keaton, one of the greatest of the silent clowns, gives the world-worn bus driver an aplomb, a strangeness, a depth of sadness, which all but turn the picture from its casual, slap-happy course into something far more impressive...
Aside from Mr. Keaton and the delectable bears, San Diego's level is well indicated by the bitter moment in which Millionaire Hall informs Miss Allbritton that of her father's raft the only part which survived testing was the chewing-gum with which she had patched it; or Eric Blore's unctuous self-introduction to his new employer: "You may call me Nelson." To which Mr. Horton earnestly replies, in the line-of-the-month...