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Word: keaton (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

BEETLEJUICE The feel-weird movie of '88. Director Tim Burton's supernatural jape features comic-book ingenuity, a swell turn by Michael Keaton as a punk demon, and a delirious calypso sound track. Day-O will never sound the same...

Author: /time Magazine | Title: Cinema: Best of '88: Cinema | 1/2/1989 | See Source »

DURING an episode of "Family Ties," big brother Alex P. Keaton, the self-proclaimed genius of the family, forced younger sister Jennifer to undergo a neurotic academic experience, convincing her to read volumes of case law and dress as the Statue of Liberty for her seventh grade oral report on "How a Bill Becomes...

Author: By Michael J. Bonin, | Title: A Lot to Learn | 12/7/1988 | See Source »

...conflicting emotions, what seems to you only a minor error in judgment, and suddenly your child is snatched from you. For Lindy Chamberlain (Meryl Streep) in A Cry in the Dark, the loss is permanent: she never sees her baby again, alive or dead. For Anna Dunlap (Diane Keaton) in The Good Mother, the outcome is not quite so cruel: she faces losing custody of her daughter Molly, but not the child's death. Yet both mothers find themselves in court, desperately defending themselves against society's determination to misunderstand their motives, to turn tormented consciences into legally guilty ones...

Author: /time Magazine | Title: Cinema: Star-Crossed Mothers A CRY IN THE DARK | 11/14/1988 | See Source »

...based on the best-selling novel by Sue Miller, and in many ways it outdoes the book. The characters in the movie are far more appealing than those in the novel. Watching them evokes sympathy, while reading about them provokes mainly dislike. As divorced mother Anna Dunlap, Diane Keaton is likeable and unpretentious. When she meets Leo, her lover-to-be, in a laundromat, the scene is free from the air of sleaze that surrounds it in the book...

Author: By Emily Mieras, | Title: Maternal Triangle | 11/4/1988 | See Source »

...Keaton skillfully portrays Anna as a woman in search of emotional direction in her life. Although her Anna has a complete and vibrant relationship with Molly, she has never felt romantically fulfilled. We empathize with Anna when she tells a friend about the emptiness of her sex life with Brian and feel her pain when Molly leaves to spend the weekend with her father, just as we later sense the sudden, expansive joy that she finds with...

Author: By Emily Mieras, | Title: Maternal Triangle | 11/4/1988 | See Source »

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