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Word: keaton (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...movie version of the Shadow is based more than a little on Batman-a rich playboy with a darker side that he uses to fight crime. But Baldwin's Cranston has a bit more of an edge than Keaton's Batman. When we first meet him, he's known as "The Butcher," who has amassed a fortune in the Far East and is living a life of depravity in Tibet. Cranston is redeemed when a "holy man" forcibly takes the Westerner under his wing to teach him "how to cloud men's minds...

Author: By Marion B. Gammill, | Title: The Shadow Knows Entertainment | 7/8/1994 | See Source »

...With a smart cast and a chic patina, Ron Howard's The Paper reprises this theme, less to celebrate old times than to offer a skeptical perspective on career men and women. Henry Hackett (Michael Keaton), metro editor for the Sun, a New York City tabloid, has to worry about a local race crime -- or is it a mob rubout? -- on a day when he should be thinking about his pregnant, ex-reporter wife (Marisa Tomei) and the cushier job she wants him to take at an uptown daily. There are clever doses of cynicism and office politicking...

Author: /time Magazine | Title: CINEMA: Take Two Tabloids and Call Me | 3/21/1994 | See Source »

...fast track, The Paper often slows down to lend its galaxy of star types (Robert Duvall, Jason Alexander) a hint of dimension to their roles. But these subplots aren't much more sophisticated than those in The Wizard of Oz: Duvall gets a heart, Close a brain, Keaton courage. Tomei gets a baby -- and gets left...

Author: /time Magazine | Title: CINEMA: Take Two Tabloids and Call Me | 3/21/1994 | See Source »

...EDITOR" Diane Keaton...

Author: /time Magazine | Title: Prestigious Jobs in Magazine Publishing -- No Experience Required! | 2/28/1994 | See Source »

...lingered outside the theater door after last Saturday's screening of "Kanal," a black-and-white film in Polish depicting the harrowing deaths of resistance fighters in the Warsaw sewers. They sombrely flipped through an HFA bulletin, unconsciously echoing the scene in "Annie Hall" where Woody Allen and Diane Keaton emerge psychically downtrodden from a five-hour Holocaust documentary. "I think this reflects our own psychically that we would watch this film on a Saturday afternoon instead of going to a bar," said Joshua D. Jones. Why did he come? "I'm obsessed with World War II," he confessed...

Author: By R.i. Wilson, | Title: Black Turtleneck Required, Foreign Accent Optional | 2/24/1994 | See Source »

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