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...DIANE KEATON'S CHARACTER IN SOMETHING'S GOTTA GIVE GOOD FOR WOMEN...

Author: /time Magazine | Title: 10 Questions for Gloria Steinem | 4/5/2004 | See Source »

...wrote pieces for TIME on silent stars Buster Keaton and Douglas Fairbanks (when their films appeared in handsome video collections), on Dorothy Dandridge (a new biography), on the comedy band leader Spike Jones (a double-CD set, with liner notes by Thomas Pynchon). One year, a splendid season of every Samuel Beckett play cued a longish essay; the next, the packaging of musical shorts from the 30s and 40s. And there was the week when all the grownups were on vacation and I assigned myself a page on a Hawaiian steel-guitar virtuoso of the 1920s. For goodness? sake...

Author: /time Magazine | Title: That Old Feeling at 100 | 3/26/2004 | See Source »

...just kind of took a slapshot at the net and it hit off one of the Harvard defensemen,” Link said. “I went to it and I saw Keaton [Zucker] out of the corner of my eye, cutting to the net, and I just gave...

Author: By Gabriel M. Velez, CRIMSON STAFF WRITER | Title: Johnston Lifts W. Hockey Over Brown in ECAC Semifinals | 3/22/2004 | See Source »

...conservatives, a bit for the crazies, a bit of a circus. A universal smorgasbord." That he's delivered. By the end of the first week, there were the usual hits (The Overcoat) and misses (Night Letters). The former, a piece of bravura theater-making from Canada, mixes Buster Keaton with Gogol and - after seven years on the festival circuit - purrs like a Rolls-Royce. Letters, the State Theatre Company of South Australia's new four-hour adaptation of Robert Dessaix's intimate novel about a writer's "death" in Venice, looks good but wobbles without a suitably dramatic engine...

Author: /time Magazine | Title: In Leaps and Bounds | 3/8/2004 | See Source »

Most Ludicrously Overrated Performance: Diane Keaton, nominated for Best Actress, really is a gifted performer, which makes her misinterpretation of her character in Something’s Gotta Give all the more surprising and insulting. Playing an intelligent and successful 50-something playwright, Keaton’s Erica Barry falls for Jack Nicholson’s dirty old music agent like it’s 1964 and he’s a Beatle. They get it on, then he freaks out and dumps her. Are general filmgoers, much less the movie’s middle-aged target audience, really supposed...

Author: NO WRITER ATTRIBUTED | Title: Recasting Oscar | 2/27/2004 | See Source »

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