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...beyond mere stories. Like the best of silent films, the lack of words turns Jason's book into a universally accessible meditation on the human condition. Likewise the use of animals as human stand-ins turns the tales into Aesop-like fables with a modern, existential twist. Imagine Buster Keaton in Henrik Ibsen's version of "The Mouse and the Lion." These "fables" all have the same lesson: Life is absurd...

Author: /time Magazine | Title: Actions Speaking Louder | 8/13/2002 | See Source »

...they get to wear is as exciting as cream cheese. But this year famous women are wearing ties because they're "strong, distinctive and sexy," in the words of one fashion marketer--and because other famous women are wearing them. The accessory has come a long way from Diane Keaton's tomboy outfit in Woody Allen's 1977 film, Annie Hall. Young pop singers from Michelle Branch to Alicia Keys have adopted an '80s new-wave look that juxtaposes ties with dark punk garb or ultra-casual white tank tops. And fashion designers like Alexander McQueen have been slipping them...

Author: /time Magazine | Title: The Ties Of Sisterhood | 7/8/2002 | See Source »

...sequence took eight weeks for Sinatra to learn and perform. But with that industry and application, young men could copy the standard Kelly posture: torso erect, legs swerving as if jellified. That?s the legacy of Kelly?s teenage tap-dancing. Tap has just that contradictory posture: Buster Keaton from the waist up, Jim Carrey from the waist down. The form has a built-in irony, one half of the body counterpointing and commenting on the other half...

Author: /time Magazine | Title: That Old Feeling: Dancin? Man | 3/2/2002 | See Source »

...maintain that “Family Ties” achieved commercial and critical success on account of politics or eccentric kids would be to sell short the rare charisma that oozed from the pores of Michael J. Fox, now and forever Alex P. Keaton. People tuning in to “Family Ties” repeats are nostalgic not merely for legwarmers and Watergate humor, but for the boy Fox once was. Alex’s eagerness to grow up is now steeped in tragic irony, as his real-life counterpart is stricken with Parkinson’s disease...

Author: By Scott G. Bromley, CRIMSON STAFF WRITER | Title: Keatonomics | 2/14/2002 | See Source »

Throughout his ordeal, Fox has retained the boyish charm and wit that made Alex P. Keaton, the cold-blooded capitalist, into a lovable older brother and a hero to quite a few children of the 1980s. Yet Fox is no longer the carefree sprite he used to be—and the show’s theme song now hits a little closer to home...

Author: By Scott G. Bromley, CRIMSON STAFF WRITER | Title: Keatonomics | 2/14/2002 | See Source »

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