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...formal gown when her favorite characters wed. His daughter Lee (Meryl Streep), who smokes all the time, has no talent for raising kids. Just look at her son Hank (Leonardo DiCaprio), with his pathological fear of apologizing to people he's hurt. Fortunately, Lee's sister Bessie (Diane Keaton) is around. She has taken care of her dad for 20 years. But no good deed goes unpunished: Bessie has just heard she has leukemia...

Author: /time Magazine | Title: A RICH FILM FEAST | 12/30/1996 | See Source »

Welcome to the sitcom from hell, redeemed into a lesson of togetherness. Marvin's Room, the 1991 Scott McPherson play, filmed by Jerry Zaks, is an old-fashioned weepie of noble mien with many bright moments and a superb cast. It's a tonic to see Keaton making sense of sanctity, DiCaprio refusing to sentimentalize a disturbed teenager. The impossible challenge goes to Streep; she's supposed to escort Lee on a forced march from belligerence into family harmony. "How can one sister be so good and the other so bad?" asks Aunt Ruth. The answer: careless writing. The movie...

Author: /time Magazine | Title: A RICH FILM FEAST | 12/30/1996 | See Source »

After working in numerous British feature and TV films, Neeson moved in 1985 to Los Angeles, where he began performing in a string of indifferently received movies like The Good Mother, with Diane Keaton, and Sam Raimi's Darkman. But he never forgot the stage, and it was his dynamic performance in a '93 Broadway revival of Anna Christie that convinced Spielberg he had found his Schindler...

Author: /time Magazine | Title: CINEMA: A STAR IS FINALLY BORN | 10/14/1996 | See Source »

...aging ("If I give you one more face-lift," Dr. Rob Reiner warns Hawn, "you're gonna be able to blink your lips") that make the movie a more genteel version of the misogynistic She-Devil and Death Becomes Her. And the audience applauds when Midler, Hawn and Diane Keaton take comic revenge on their duplicitous mates. In movie theaters around the country, similar crowds registered similar approval for the movie--enough to set Hollywood to scratching its (male) head and to give women moviegoers cause to hope for more films like...

Author: /time Magazine | Title: THE LADIES WHO LUNGE | 10/7/1996 | See Source »

There are more mundane reasons First Wives is a hit. It has three stars playing to their strengths: Midler the canny yenta, Keaton mining lodes of pruney anguish, Hawn a glorious hoot encased in her collagenized lips and sprawling ego. And before the film gets haggard in Act III, it's pretty darn funny, thanks to director Hugh Wilson (who wove a camaraderie of losers in his TV show WKRP in Cincinnati), screenwriter Robert Harling (Steel Magnolias) and rewriter Paul Rudnick (The Addams Family...

Author: /time Magazine | Title: THE LADIES WHO LUNGE | 10/7/1996 | See Source »

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