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...based on the best-selling novel by Sue Miller, and in many ways it outdoes the book. The characters in the movie are far more appealing than those in the novel. Watching them evokes sympathy, while reading about them provokes mainly dislike. As divorced mother Anna Dunlap, Diane Keaton is likeable and unpretentious. When she meets Leo, her lover-to-be, in a laundromat, the scene is free from the air of sleaze that surrounds it in the book...

Author: By Emily Mieras, | Title: Maternal Triangle | 11/4/1988 | See Source »

...Keaton skillfully portrays Anna as a woman in search of emotional direction in her life. Although her Anna has a complete and vibrant relationship with Molly, she has never felt romantically fulfilled. We empathize with Anna when she tells a friend about the emptiness of her sex life with Brian and feel her pain when Molly leaves to spend the weekend with her father, just as we later sense the sudden, expansive joy that she finds with...

Author: By Emily Mieras, | Title: Maternal Triangle | 11/4/1988 | See Source »

...slew of new shows that focus on not-so-swinging singles. Single dad James Naughton copes (tediously) with a teenage daughter in CBS's Raising Miranda, and Richard Mulligan mugs (insufferably) as a middle-aged widower in NBC's Empty Nest. Meanwhile, Kate Jackson reprises Diane Keaton's role as a Manhattan yuppie trying to juggle a baby and a high- pressure corporate job in NBC's Baby Boom. The pilot episode plays too much like a Reader's Digest version of the movie (both written by Charles Shyer and Nancy Meyers). But this satire of motherhood in the fast...

Author: /time Magazine | Title: Video: The New Season: Boomers and Humors | 10/17/1988 | See Source »

...about in character to fill in the historical blanks. In a room labeled "Cinema Goes to War," for example, "soldiers" roll about in trenches. Nearby is a majestic staircase canopied by MOMI's own high-camp Erecthyon: six sculpted muses of the silent cinema (Theda Bara, Mary Pickford, Buster Keaton, Douglas Fairbanks, Lillian Gish and Rudolph Valentino) serving as columns in a temple of the gods...

Author: /time Magazine | Title: Show Business: Twin Shrines to the Silver Screen | 9/26/1988 | See Source »

...Popes watched sitcoms instead of CNN, they'd see themselves there too: warm and puddly on The Wonder Years, starched and smarmy on Family Ties. Like The Wonder Years, Running on Empty is haunted by wraiths of the '60s. Like Family Ties' Alex Keaton, Danny is a decent kid with dreams that trouble his ex-rad mom and dad: Alex plans to be a yuppie Ivan Boesky; Danny wants to study piano at Juilliard. And like both these shows, the movie tiptoes away from political specifics to nestle in the capacious bosom of no-issue humanism...

Author: /time Magazine | Title: Cinema: All in The Post-'60s Family RUNNING ON EMPTY | 9/12/1988 | See Source »

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