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...heard it here first. Warren Beatty and Diane Keaton did not join in the chorus of Love Makes the World Go 'Round. They held hands. They stood right there, center stage, at Radio City Music Hall and even made nice. But they did not sing...

Author: /time Magazine | Title: Show Business: Daze of the Locust | 3/1/1982 | See Source »

...Arnold's incorrigibly readable Farmer biography. The Frances screenwriters claim their script is based on original research, so Arnold has sued and awaits a showdown at the film's completion. But Lange's and Farmer's time is now. Says Lange, who beat out Diane Keaton, Jane Fonda, Tuesday Weld and Goldie Hawn for the role: "The movie is a statement about women's independence and how frightening it can be. Politically, Frances was a radical. But she didn't have a generation backing her up. The Hearsts hated her, and Hollywood raped...

Author: /time Magazine | Title: Show Business: Morning Comes for Frances | 2/15/1982 | See Source »

...George Dunlap (Albert Finney) wants to do is to give his 13-year-old daughter a typewriter for her birthday. It is hardly the impossible dream; it isn't even an unreasonable request. But George recently walked out on his wife Faith (Diane Keaton) and their four daughters, for all those vague but somehow imperative reasons for which people leave people these days, and Daughter Sherry (Dana Hill) is not buying any of them. Nor is she covering her confusion with forgiveness. Better just not to speak to the creep. When Faith tries to avoid a scene by keeping...

Author: /time Magazine | Title: Cinema: Love, Rage and the Quotidian | 2/1/1982 | See Source »

Finney's fuzziness, that slightly out-of-focus quality he often has onscreen, here serves his befuddled character perfectly. Keaton has the courage to let tiredness show in the lines around her mouth and eyes, to stipulate that she is the victim in this situation and then get on to other more interesting situations. Nobody ever tries to explain why the nice, successful Dunlaps are breaking up. These days, who knows? All anyone can say with certainty is that theirs is now among the most familiar of passages, and that Shoot the Moon is the best chart...

Author: /time Magazine | Title: Cinema: Love, Rage and the Quotidian | 2/1/1982 | See Source »

...ignorance of the major issues of the Spanish Civil War, an event of great importance to intellectuals of her generation. "Of course, now they'll all see Reds," she laments, "and they'll all know there was a Russian revolution, but they'll think it was made by Diane Keaton...

Author: By Adam S. Cohen, | Title: A View From the Heights: Talking With Diana Trilling | 1/8/1982 | See Source »

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