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Then there is Diane Keaton in Looking for Mr. Goodbar. As Theresa Dunn, Keaton dominates this raunchy, risky, violent dramatization of Judith Ressner's 1975 novel about a schoolteacher who cruises singles bars. Watching her is a shock for viewers who associate her shy and awkward manner with Annie Hall. She is on-screen for well over two hours while her character disintegrates in the direction of alienation and death...

Author: /time Magazine | Title: Love, Death and La - De - Dah | 9/26/1977 | See Source »

Till now Diane Keaton has been able to wander down a Manhattan street with out drawing more than an occasional half-suspicious stare. She lets herself be kept waiting for two hours in a Southern California beach restaurant because the maitre d' cannot imagine that this tall, apologetic young woman in sunglasses and floppy clothes is someone who might merit his attention...

Author: /time Magazine | Title: Love, Death and La - De - Dah | 9/26/1977 | See Source »

...pill pool and neurosis bank in Alvy's Manhattan apartment. Then it is over. Annie drifts off to Los Angeles; Alvy writes a play about the affair, wistfully giving it a happy ending in which the lovers unite. The film's details are not meant to match reality exactly. Keaton, then 22, and Allen, then 33, met when he was casting his Broadway comedy Play It Again, Sam, not after a tennis match; her career was farther advanced than Annie's; she did move out of Allen's apartment, but she stayed in New York, and lived for a while...

Author: /time Magazine | Title: Love, Death and La - De - Dah | 9/26/1977 | See Source »

Woody Allen came from a Jewish family in Brooklyn; Diane Keaton's parents are Methodists who live in Southern California. She lacks the spooky older brother of Annie Hall (she has a younger brother, unspooky, and two younger sisters). But there is general agreement that the dinner scene, in which Alvy imagines that "Grammy Hall" sees him with yarmulke, full beard, earlocks and frock coat, bears some resemblance to truth...

Author: /time Magazine | Title: Love, Death and La - De - Dah | 9/26/1977 | See Source »

...Keaton and Woody Allen met cute, as their trade phrases it. Her job in Hair was as understudy to the star, Lynn Kellogg, and when Kellogg left the production, Keaton took over. Naturally, she was feeling insecure. "I was living alone on the West Side, in a one-room apartment with the bathroom out in the hallway and the bathtub in the kitchen, right? I didn't feel like I had arrived with Hair. That play wasn't much for individual performances." When she heard about tryouts for Play It Again, Sam, she invited herself...

Author: /time Magazine | Title: Love, Death and La - De - Dah | 9/26/1977 | See Source »

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