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...Sonja (Diane Keaton), an arouseful little blouseful who confesses that she has been faithful to the male population west of Minsk. The lovers are poor but wretched, living only on snow and an occasional treat of sleet. To relieve the chill, they engage in those favorite occupations of Russian novelists, the epistemological debate and the religious monologue. "Socrates is a man; all men are mortal; therefore all men are Socrates," concludes Boris. It is this kind of syllogism that moves him to assassinate Napoleon, an adventure that ends, of course, with the wrong man slain. No matter. A celestial sign...

Author: /time Magazine | Title: Cinema: Baying Through Russia | 6/30/1975 | See Source »

...Keatons. It must be said that at bottom-which is exactly 5 ft. 6 in. from the top-Allen has not altered in technique since his earliest films. The only plot that ever concerns him is the one in which he will be buried. His persona is still the kind of man whose profile should not be painted but wallpapered. His situations continue to bear traces of two Keatons. In this case, Buster is the right source; Diane is not. Allen's longtime companion is saddled with Lines that make her Groucho in bombazine ("Thank you, your grubbiness"). Because...

Author: /time Magazine | Title: Cinema: Baying Through Russia | 6/30/1975 | See Source »

...called wasted--he is our funniest actor, and when he is harnessed properly, one of our best. This Richard Lester movie comes close to using him correctly, and besides, it has three other extremely talented comedians working for it: Phil Silvers, Jack Gilford and a battered depleted Buster Keaton. It never gets into the high gear which is part of its promise, but like all of Lester's work, it has a disciplined rambunctiousness and a feeling of fresh air. If Lester had been more comprehending of his actors' talents and given them the showcase they needed, instead of competing...

Author: NO WRITER ATTRIBUTED | Title: THE SCREEN | 4/24/1975 | See Source »

Beckett's peculiar genius is to set up such Hobson's choices while squeezing them for all the farce they will yield. His is a Buster Keaton, deadpan humor that shrivels in the explaining. Mercier and Camier is as hilarious, in gasps, as anything he has written. The novel's coolly mannered prose disguises outrageous statements until the instant they land. There is also cruelty in Beckett's method (Mercier is comforted briefly by the sight of a dead and bleeding wom an) and surprising moments of compassion. When Mercier and Camier part, they lose...

Author: /time Magazine | Title: Books: Preparing for Godot | 3/24/1975 | See Source »

Tille's Punctured Romance, with Chaplin, and College, with Buster Keaton, Friday and Saturday...

Author: NO WRITER ATTRIBUTED | Title: Harvard | 2/20/1975 | See Source »

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