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...whole 'nice' thing has been overplayed," contends Michael Keaton, who starred in Howard's first studio film, Night Shift, as well as in the director's later features Gung Ho and The Paper. "He can make cold, hard decisions when he needs to. It's not like he rolls over. He does anything but roll over." Says Howard: "I'm not real neurotic, so I don't heap pressure on people unnecessarily. But if we're falling behind schedule or missing something artistically, it doesn't take a hell of a lot for me to let that be known...

Author: /time Magazine | Title: CINEMA: NICE GUY AT MISSION CONTROL | 7/3/1995 | See Source »

...Batman Returns was also a wonderful film. Joel Schumacher, director of Forever, hasn't Burton's creepy poetic vibes, but in The Client he showed real storytelling talent. He also wanted to give the series a fresh look, with a new Batman-Val Kilmer for Michael Keaton-in a new costume and car, both retooled in fine Corinthian leather. Even Gotham gets a make-over...

Author: /time Magazine | Title: CINEMA: TROUBLE IN GOTHAM CITY | 6/26/1995 | See Source »

...American terms he's a little Clint Eastwood (actor-director), a dash of Gene Kelly (imaginative choreographer), a bit of Jim Carrey (rubbery ham) and a lot of the silent-movie clowns: Charlie Chaplin, Buster Keaton and Harold Lloyd. Says Chan fan Sylvester Stallone: "Jackie has elongated a genre that had grown pretty stale. He's infused films with humor and character-driven story while giving audiences these extraordinary stunts that are unparalleled anywhere in the world...

Author: /time Magazine | Title: JACKIE CAN! | 2/13/1995 | See Source »

...beginning there was Mack Sennett and he created the Keystone Kops. And he said let there be slapstick, and there was slapstick, which was good then, but seems dated now. And Sennett begat Buster Keaton, who did physical comedy better than anyone ever did, with the exception of Harold Lloyd, and whose works are still fine (see "The General," "The Navigator" and "700 Brides"). And Sennett also begat Chaplin, who learned from him but went well beyond to become the finest comic artist ever, the Little Tramp who mixed laughter and tears. And Chaplin created "City Lights" and "The Gold...

Author: NO WRITER ATTRIBUTED | Title: Let There Be Comedy | 10/29/1994 | See Source »

...movie version of the Shadow is based more than a little on Batman-a rich playboy with a darker side that he uses to fight crime. But Baldwin's Cranston has a bit more of an edge than Keaton's Batman. When we first meet him, he's known as "The Butcher," who has amassed a fortune in the Far East and is living a life of depravity in Tibet. Cranston is redeemed when a "holy man" forcibly takes the Westerner under his wing to teach him "how to cloud men's minds...

Author: By Marion B. Gammill, | Title: The Shadow Knows Entertainment | 7/8/1994 | See Source »

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