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...Ruby Keeler may have once gone out there a nobody but yesterday she came back a star as the Hasty Pudding Theatricals named her their 21st woman of the year, alongside such other show biz luminaries as Gertrude Lawrence, Katherine Hepburn, Mamie Eisenhower and Piper Laurie...

Author: By Gregg J. Kilday, | Title: Ruby Comes Up Star, Goes Back Pudding | 2/28/1972 | See Source »

...NANETTE. A toothsome nougat of nostalgia in which an ageless Ruby Keeler kicks the calendar goodbye...

Author: /time Magazine | Title: The Theater: 1971's Ten Best Plays | 1/3/1972 | See Source »

...wages of sin have been marked PAID for John Profumo. The British War Minister, who was forced to resign in disgrace from Prime Minister Harold Macmillan's Cabinet in 1963 for having lied to Parliament about his affair with Party Girl Christine Keeler, was greeted warmly by Queen Elizabeth II. The occasion: the opening of Attlee House, an extension of London's famed Toynbee Hall, a rehabilitation center in the East End where Profumo has been working full time helping alcoholics, drug addicts, parolees and ex-convicts. Said Social Worker Profumo afterward: "It has been a wonderful...

Author: /time Magazine | Title: People, Nov. 29, 1971 | 11/29/1971 | See Source »

...Long, long ago, it used to be said that good Americans went to Paris when they died. Nowadays they go to No, No, Nanette. It's a nice place to expire-with nostalgia, laughter and the ultimate in escapist foofaraw. One can only hope that they gild Ruby Keeler's shoes for the Hoofer's Hall of Fame and vote Patsy Kelly the Most Amusingly Insolent Maid of the Century. To Helen Gallagher, and Bobby Van, let's just say, "Thou swell...

Author: /time Magazine | Title: The Theater: Pick of the Summer | 7/19/1971 | See Source »

Tapsichorean Art. The revival was partly spurred by the choreographing of tap routines in such on-and off-Broadway shows as George M and Dames at Sea and the featuring of tap dancers in TV commercials. But it was 60-year-old Ruby Keeler's artful tap dancing in No, No, Nanette (which opened on Broadway in January and is still playing to packed houses) that provided the real reveille for taps. Almost from the moment that Ruby clacked back into the limelight, percussive, slam-bang tap, which had languished for nearly 40 years, was popular again...

Author: /time Magazine | Title: Modern Living: Reveille for Taps | 7/5/1971 | See Source »

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