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Word: keene (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...central figure in High Art is Syd (Radha Mitchell), a newly-promoted assistant editor at a modish New York photography magazine called *Frame*. Syd is a hard worker and has a keen eye, but because her superiors have yet to fill the intern position she vacated for her editorship, she is currently working absurd hours trying to do both jobs. Her boyfriend Steve (Gabriel Mann) laments what he considers her exploitation by the *Frame* staff, but Syd, confident that her dedication will push her up through the editorial ranks, has no complaints. "I'm trying to stick...

Author: By Nicholas K. Davis, CRIMSON STAFF WRITER | Title: High Art, Despite Solid Acting, Falls Short of Its Namesake | 6/26/1998 | See Source »

...story, true or not, conveys the essence of how Barry Goldwater saw himself and how his admirers, liberals and conservatives, often came to see him too. Americans like their conservatives to be curmudgeonly--irascible, unblinkered, plain-talking tellers of uncomfortable truths, with a keen eye for hypocrisy. Curmudgeons are amusing, colorful and, most important, utterly harmless. Mr. Conservative's public career spanned 40 years, and for most of them he managed to be thought curmudgeonly--almost universally enjoyed, like a prickly old teddy bear you can't help hugging...

Author: /time Magazine | Title: The Conscience of a Curmudgeon: BARRY GOLDWATER (1909-1998) | 6/8/1998 | See Source »

Rodgers was always keen on breaking new ground. Many believe Pal Joey (1940), the story of the emcee of a sleazy nightclub, to be a landmark musical. With its unscrupulous leading character and bitingly realistic view of life, the show moved the musical-comedy format into more serious territory. But even as Rodgers and Hart were taking the musical to new levels, their partnership was becoming increasingly strained. Hart was a serious drinker, and by the time of his last collaboration with Rodgers, By Jupiter in 1942, he was virtually an alcoholic. Rodgers was desperate. No one was more forthcoming...

Author: /time Magazine | Title: RODGERS & HAMMERSTEIN :The Showmen | 6/8/1998 | See Source »

Like Rodgers, Hammerstein was keen to push the boundaries of the musical, which was only slightly more sophisticated than a vaudeville revue. In the program of his 1924 Broadway show Rose-Marie, for instance, he and the other authors wrote that the musical numbers were too integral to the book to list separately. Three years later, with Jerome Kern, he had his biggest success with Show Boat, the musical he adapted from Edna Ferber's novel of the same name with the express intention of weaving songs seamlessly into a narrative about addictive gambling, alcoholism and miscegenation. Years later, Hammerstein...

Author: /time Magazine | Title: RODGERS & HAMMERSTEIN :The Showmen | 6/8/1998 | See Source »

Harvard also placed sixth out of 42 at the Cliff Keen Las Vegas Invitational (CKLVI) in December and ranked fourth at the Eastern Intercollegiate Wrestling Association (EIWA) Championships, a terrific jump from its eighth-place finish the previous year...

Author: By Jodie L. Pearl, CRIMSON STAFF WRITER | Title: Wrestling Snares Team, Individual Accolades | 6/4/1998 | See Source »

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