Word: keeping
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Dates: during 1980-1989
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Across the Atlantic, European financial leaders were startled by the signs of U.S. inflation and the budget stalemate, which they fear could lead to an eventual global slowdown. In a joint statement, France and West Germany pledged to coordinate efforts to keep their inflation rates in check. Said William Martin, chief economist for Phillips & Drew, a leading London brokerage: "Bush hasn't made any headway, and there is enormous skepticism about his progress...
That lack of movement has left Greenspan little room to waver in the battle to keep inflation from getting out of hand. U.S. factories are running at near peak capacity, and unemployment has been at a 14-year low. The rising costs of production have prompted some experts to fear that an inflationary wage-price spiral could be ready to begin...
Filling that void is the mission of South Africa Now, a privately funded half-hour TV-magazine show that strives to keep the spotlight on southern Africa. The weekly broadcast is produced by Globalvision, a small independent production company, with the Africa Fund, an antiapartheid organization. Launched last April, the show airs on about 45 broadcast and cable stations across the U.S. Says Globalvision's vice president, Rory O'Connor: "We saw a need for a program on South Africa and decided to jump in both feet first...
...entente. Director George Abbott was whipping up Broadway souffles like On Your Toes, and ballet master George Balanchine was staging On Your Toes' novel Slaughter on Tenth Avenue. Mr. A. and Mr. B., as they were known, would be Robbins' mentors. In 1940 he danced in the Balanchine show Keep Off the Grass, and at the end of the decade, he joined Balanchine's New York City Ballet (today he is one of two ballet masters in chief). In 1944 he expanded his ballet Fancy Free into On the Town, which Abbott directed. Betty Comden, the show's coauthor, recalls...
...piecing together photos, props, the sound track and their memories. "Jerry put us into certain positions," Comden says, "and we remembered the best we could, from our ancestral bodies or our unconscious. And then, of course, Jerry created more. We didn't want it to stop. Jerry stayed to keep working, and the four of us wandered into the street, clinging, clinging to whatever...