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...geometry. Soloists on stage cavort to solo instrumental moments from three Vivaldi concert! while the ensemble blends with orchestral passages. Plotless but pretty, the work does show off the almost Bolshoi-like muscularity of the Stuttgart's unusually strong male corps and the gamine pertness of lithe Birgit Keil...

Author: /time Magazine | Title: Dance: The Stars of Stuttgart | 6/11/1973 | See Source »

Initials R.B.M.E. is unfairly titled and pompously annotated, but a joy to watch for all that. The initials stand for the first names of the Stuttgart's four leading principals - Richard Cragun, Birgit Keil, Marcia Haydée and Egon Madsen. In all justice, the title should include an H., for Heinz Clauss, who brilliantly partners Haydée in a soaringly romantic pas de deux...

Author: /time Magazine | Title: Dance: The Stars of Stuttgart | 6/11/1973 | See Source »

...aren't Vic and Sade fans should stay away. The rest of us, though, may soon find ourselves referring to our offspring as "dust mop" and "down-spout," or walking through the front door at home with a soft "Hi de hi, ho de ho." · Jack Keil...

Author: /time Magazine | Title: Books: Bow-Wow and Barley! | 1/22/1973 | See Source »

...NICHOLAS KEIL...

Author: /time Magazine | Title: Letters: Nov. 28, 1969 | 11/28/1969 | See Source »

Militant young Negroes put a more defiant slant on it. Explains Charles Keil, a white ethnomusicologist and the author of Urban Blues: "For a Negro to say 'B. B. King is my main man' is to say 'I take pride in who I am.' With this self-acceptance, a measure of unity is gained, and a demand is made upon white America: 'Accept us on our own terms.' " Yet when soul solidarity is founded on a fellowship of suffering, it may involve not a demand for white acceptance but an outright exclusion of whites, as Godfrey Cambridge makes clear. "Soul...

Author: /time Magazine | Title: Music: LADY SOUL SINGING IT LIKE IT IS | 6/28/1968 | See Source »

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