Word: keitel
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Dates: during 2000-2009
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...news channels but also books, plays, songs. Michael Moore's political take, Fahrenheit 9/11, scared up $119 million at the domestic box office, and ABC is preparing a mini-series based on The 9/11 Commission Report, with Stephen Root as terrorism czar Richard A. Clarke and Harvey Keitel as John O'Neill, the FBI's al-Qaeda sleuth who died in the World Trade Center carnage. Flight 93, a TV movie about the same events shown in United 93, reaped the A&E Network's all-time highest ratings and stoked no protests...
...investors also picked off Rolf Breuer, the chairman of the supervisory board, who said he would quit before year's end. Many Germans were taken aback by the sight of heads rolling at the exchange - a symbol of German capitalism - but not all believed "locusts" were to blame. Reinhild Keitel of Schutzgemeinschaft der Kapitalanleger, a German minority shareholders group, describes Müntefering's interventions as "an absolutely scandalous election ploy." Dieter Hundt, president of the Confederation of German Employers' Associations, fears the debate will prove "extremely damaging" to the country's international image. "What's happening currently makes...
...performance as Chili Palmer was in a compact movie about a gangster from Brooklyn making his mark on Hollywood. In this sprawling sequel, Palmer decides to break into the music business by producing hot starlet Linda Moon (Milian). Unfortunately, she is under contract to unscrupulous sleazeballs played by Harvey Keitel and Vince Vaughn. In the process of becoming Moon’s manager, hilarity ensues. Or at least, it is supposed...
...novice performers overplay their roles with “look-Ma-I’m-actin’ glee,” while the veterans are simply badly directed. Keitel identifies part of the filmic problem when he yells Travolta that he can’t just come into the music business and expect everyone to fall all over themselves for this former wiseguy, because everyone in this business is a wiseguy...
...process, Murray has redefined himself as an Oscar-nominated actor unrivaled at portraying middle-aged regret. At the same time, he has become something like the new Harvey Keitel but with a bigger paycheck--the favorite star of a generation of distinctive and mostly younger filmmakers, including Anderson, Coppola and Jim Jarmusch, who will direct Murray's next film, a still untitled project set for release later this year. For directors like those, Murray's inwardness, his air of wounded integrity, his sheer, irreducible strangeness operate as correlatives for their originality as filmmakers. And Murray in turn can sometimes lead...