Word: keitel
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Gittes' haunting memories are revived while working on a case for the film's other Jake, real estate developer Jake Berman (Harvey Keitel). Gittes is hired to procure evidence to prove that Berman's wife, Kitty (Meg Tilly) is having an affair. Gittes taps a motel room and arranges to have Berman confront his wife in bed with her lover...
...opposed to strong language and strong biceps, require talented actors. Nicholson easily meets those requirements. His portrayal of Jake Gittes is superb. Nicholson's screen presence is second to none, and The Two Jakes, with good reason, draws heavily upon it. The rest of the cast, particularly Stowe and Keitel, perform well under Nicholson's strong direction. The only performance that may appear a bit off center is Tilly's, but considering the cirumstances of Kitty Berman's life, it might be expected...
...ironist. This quality, if nothing else, is a sign of intelligence. Before taking up fire fighting, Nick was a cop falsely tainted by corruption. Now the very people who secretly profited by victimizing him -- the crooked, volcanic mayor (Rod Steiger) and the bland, bureaucratic police commissioner (Harvey Keitel) -- need him to lead the hunt for a maniacal killer...
...Paul Schrader's script, Scorsese has found a story vibrant with melodrama and metaphor. This Jesus (Willem Dafoe) is not God born as man. He is a man who discovers -- or invents -- his own divinity. And he is both tormented and excited by the revelation. This Judas (Harvey Keitel) is a strong, loving activist. He wants to overthrow the Roman occupiers, while Jesus wants freedom for the soul. To fulfill his covenant, Judas must betray not Jesus but his own ideal of revolution. He must hand the man he most loves over to the Romans...
Fundamentalists are upset by scenes in which Christ (Willem Dafoe) is shown as tormented and self-accusatory ("I lied, I am afraid. Lucifer is inside me") and in which he persuades Judas (Harvey Keitel) to betray him because it is God's plan. But what has them fuming is a portion of a final dream sequence -- meant to be Christ's hallucination while on the cross -- in which Jesus is shown briefly engaged in sexual relations with Mary Magdalene, played by Barbara Hershey...