Word: keitel
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...Mind, the newest, longest (3 hours 45 minutes) and best of his 40-odd plays. Staged off-Broadway by the playwright, Lie superficially resembles yet another Shepardian slice of life among borderline psychotics of the underclass. It opens with the confession of an uncontrollably jealous man (Harvey Keitel) who has beaten his innocent wife (Amanda Plummer) and left her for dead. Before it is over, characters have been shot, pummeled, enslaved and murdered. Yet the play's real action is a coming to terms with the past by the families of both the wife beater and the wife...
...political news in the paper or tries to make sense of the post-Freudian gabble of his friends. Distracted, he abuses emotional ties that are so close at hand he could touch them were he only to reach out. His best friends have simplified these problems: tough Phil (Harvey Keitel) makes most of his conjunctions with his fists; Artie (Jerry Stiller) is hooked into the only thing that matters to him, his career, via his answering machine; Mickey (Christopher Walken) simply accepts the ad hoc life. For him all liaisons are intrinsically temporary, and cynicism, laced with drugs...
...fellow defendants were varied. Most were nervous, winced even at the mention of their names. Ex-Foreign Minister Ribbentrop looked broken and old, with a hurt, petulant look on his frozen face. Best show of austere indifference was given by former Chief of the Supreme High Command Wilhelm Keitel. Rudolf Hess, now officially pronounced an amnesia victim, was the most morose-looking of all, his green-tinged skin drawn tightly about his cadaverous skull. He tried to pass the time by reading Bavarian folk tales, but was much disturbed by stomach cramps, which made him rock back & forth...
...talk and entertainment takes place in a carriage which plunges through the countryside on its escape from Paris, Filling this carriage are a scandalous/novelist/social historian/pornographer named Restif de la Bretonne (Jean-Louis Barrault); an aging but still engaging Casanova (Marcello Mastroianni); the dry English essayist Thomas Paine (Harvey Keitel); a sumptious Comtesse Sophie de la Borde, lady-in-waiting to Marie Antoinette (Hanna Schygulla); and various peripheral caricatures of the aristocracy. The wit, the life-blood of an era contained in one carriage, offer the potential for a rich entertainment, but the result is an uneven and tedious sequence...
...coach behind them, humanity rides (or anyway a curious cross section of it). The passengers include weary, white-clad Casanova (Marcello Mastroianni), who now spends his time fending off women rather than seducing them; Tom Paine (Harvey Keitel), pamphleteer of the American rebellion; and the journalist Restif de la Bretonne (Jean-Louis Barrault), to name just the historical personages aboard. Among the fictional creations are a lady-in-waiting to the Queen (Hanna Schygulla), Her Majesty's snippy homosexual hairdresser, a widow in need of consolation, a judge, an arms manufacturer and an aging opera singer heading...