Word: keitel
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...Harvey Keitel enters the movie wearing snakeskin cowboy boots and an arrogant attitude. Before it's over, he'll be wearing a red dress, lipstick and an air of considerable moral confusion...
...didn't help. During a category called "Walken, Hopper or Keitel," we had to pick the actors who starred in a particular film. For Mother, Jugs & Speed, one contestant buzzed in with "Walken" and was pronounced wrong. Another answered incorrectly with "Hopper." Sensing a big opportunity, I rang in and proudly said, "Hopper," which was still wrong. Seeing this on videotape cemented my decision never to have children...
Sidney Pollack, the film director, who replaced Harvey Keitel as Victor Ziegler, the character who ties together all the evil that Cruise's character discovers and who is the most significant addition to the original story, observes that "Stanley had figured out a way to work in England for a fraction of what we pay here. While the rest of us poor bastards are able to get 16 weeks of filming for $70 million with a $20 million star, Stanley could get 45 weeks of shooting for $65 million." In short, says Pollack, "he ensured himself the luxury of trying...
Snapshot parables from today's Saigon: a young woman (Nguyen Ngoc Hiep) befriends a leprous poet; a pedicab driver idolizes a bitter whore; an American visitor (Harvey Keitel), who sired a child back in the war days, returns to search for his daughter. Writer-director Bui, who left Vietnam when he was two, returns to graft these daintily sentimental tales onto rapturous vistas, photogenic faces and a long history of colonial hurt. Alas, Three Seasons, a Sundance prizewinner, shows little more than Bui's fondness for visual and narrative cliches. A better director will have to make the definitive "post...
...full effect in Boogie Nights. The opening shot swoops down the street and through the doors of a topless disco, wherein it follows nightclub manager TT Rodriguez (Luis Guzman) as he meets and greets all the major players of this porn film world. A similar tracking shot of Harvey Keitel walking through the nightclub in Scorcese's "Mean Streets" comes to mind, as do the many meandering shots of such Altman ensemble films as "Nashville" or "Pret a Porter...