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...Along with New Yorker staff writer Kelefa T. Sanneh ’97, Rojas self-consciously pulled RH in a DIY direction. “We wouldn’t play anything from a major label,” he says. “We wouldn’t play anything with a barcode with...

Author: By Patrick R. Chesnut, CRIMSON STAFF WRITER | Title: Hardcore Harvard | 4/24/2009 | See Source »

...Take Kelefa Sanneh's piece in the March 31 New York Times, "New Ideas from the Top of the Charts." Sanneh makes the excellent observation that the tops of the Billboard charts are filled with music that blends different popular styles (No Doubt, Linkin Park), while rock's rebel fringe (The Strokes, The White Stripes) has gone retro, inspired by ancient garage rock and punk. Sanneh allows that in many cases the latter milieu cuts better albums. But the story also seems to equate the mix-and-match stylistic approach of the popular bands with innovation and originality...

Author: /time Magazine | Title: The Real Innovation is Retro | 4/12/2002 | See Source »

Bands share musicians, practice spaces,instruments and equipment with one another, as allof these things are hard to come by at Harvard.Though groups average four hours a week ofpractice time, DeMay and Zach B. Sitter '94 playin both Mopar and Fat Day, Kelefa T. Sanneh '97plays in Mopar and Hypertrophie Shitstraw, Matt A.Donahue '97 plays in Toddler and Hypertrophie andAdam E. Rosen '95 plays in Mopar and Neverlovers."The main difference" between playing withNeverlovers as opposed to Mopar, says Rosen, "isthe songs are a lot slower so it's less physicallytaxing." Rosen says he must exercise regularly to"build...

Author: NO WRITER ATTRIBUTED | Title: Incipient Roadkill | 3/24/1994 | See Source »

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