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...most members had come to accept parietals as a way of life, marking a shift from the post-World War II period. War veterans who returned to Harvard as undergraduates, hardened from years of fighting, were much older and less likely to accept the parietal rules, according to Morton Keller, co-author of “Making Harvard Modern: The Rise of America’s University.” But the matriculation of the Class of 1956 saw a more compliant student body. “The tone of the school was not as frivolous as it had been...

Author: By Madeline W. Lissner, CRIMSON STAFF WRITER | Title: Meet Me in My Room...but not past 7 p.m. | 6/3/2006 | See Source »

...past is my past. My future is in America,” he said of his thoughts at the time. Students planned a rally and a concert in Sanders Theatre to raise over $10,000 that the University would then match for additional scholarships, historian Morton Keller said yesterday. Keller and his wife Phyllis are the authors of “Making Harvard Modern: The Rise of America’s University.” In 1938, the Harvard Corporation established 20 scholarships of $500 for refugees who had fled Nazi Europe, according to the Kellers’ book. Still...

Author: By Shifra B. Mincer, CRIMSON STAFF WRITER | Title: Fleeing Nazis, Some Found Refuge Here | 4/25/2006 | See Source »

...could be asoppy homily: the emergence of the blind, deaf Helen Keller from a feral child, treated like a wild pet by her family, to the bright girl who conquered her infirmities. But William Gibson, in his 1957 teleplay, which went to Broadway in 1959, was true to the crusading ferocity of Helen's teacher, the near blind Annie Sullivan. He also lucked into two actors, Patty Duke and Anne Bancroft, ready to give the performances of their lives. Arthur Penn's 1962 film captures this tutorial tug of wills in all its passion, defiance and tenderness...

Author: /time Magazine | Title: 7 Greatest Plays on Film | 4/23/2006 | See Source »

...contemporary pieces, the Harvard Ballet Company (HBC) gave a clean and dynamic performance that only improved as their spring show, “Pointe/Counterpointe,” progressed towards its impressive final piece. Produced by Valentine N. Quadrat ’09, and co-directed by Raymond W. Keller III ’08 and Sarah C. Kenney ’08, HBC took the stage this past Saturday in Lowell Lecture Hall. The evening had an unpromising beginning—the first two numbers were indubitably the worst of the entire performance. “Breath...

Author: By Giselle Barcia, CRIMSON STAFF WRITER | Title: ‘Pointe/Counterpointe’ Impresses in Second Half | 4/17/2006 | See Source »

...This article consists of a complex diagram. Please see hardcopy of magazine.] Considering that Vice President Dick Cheney had come a long way to help Florida Congressman Ric Keller raise $250,000 last week, the reception he got in the Sunshine State could have been a bit warmer. After extolling Cheney as "one of the most effective Vice Presidents in the history of the U.S.," Keller launched into all the times he had recently opposed the Bush Administration, including the deal to allow a Dubai company to manage operations at several U.S. ports. And then Keller went right...

Author: /time Magazine | Title: Republicans On The Run | 3/26/2006 | See Source »

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