Word: kellerman
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Dates: during 1990-1999
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Fashion editors Linda Hunt. Sally Kellerman and Tracey Ullman bare all to sign Milo, the world's top fashion photographer, who looks like Bono on a bad hair day, and has a irritating penchant for taking souvenir snapshots of their groveling...
...film? So he can cross-dress in a Chanel suit. At 60, Loren looks great, in or out of her array of glorious millinery, but it's cruel to have her and Mastroianni reprise the strip-tease scene from Yesterday, Today and Tomorrow with a cheap new punch line. Kellerman must endure the same naked shame she did a quarter-century ago in MASH. The heart sighs for these game folks. So much effort expended to so little effect...
...movie weaves its little stories into this big scene. A designer (Anouk Aimee) fights a takeover by a Texan (Lyle Lovett). A photographer (Stephen Rea) toys with three magazine editors (Linda Hunt, Sally Kellerman, Tracey Ullman). Two reporters (Tim Robbins and Julia Roberts in a nice little sketch) cover the story from their hotel bedroom. Two handsome Italians (Sophia Loren, Marcello Mastroianni) replay an old love affair. And a FAD-TV reporter (Kim Basinger) chirpily reports every outrage on the runways and in the salons...
...physical exhaustion. This is not to mention the demands it makes upon the actors (the original Broadway production had two sets of actors to split up matinees and evening performances). The Cambridge Theater Company has assembled a stellar cast for this most grueling of Edward Albee's plays. Sally Kellerman's Martha is everything she's supposed to be: funny, sensuous, scathing and just this side of schizophrenic...
...MADE CARTOONS OUT OF THE JACKsons and Hulk Hogan. Why not try it in reverse, fleshing out a peerless kidvid cartoon of the '60s? Here's why. A few years back, Dave Thomas and Sally Kellerman starred as a live-action BORIS AND NATASHA, the spy-in-the-face nemeses of Jay Ward's immortal Rocky and Bullwinkle. Charles Martin Smith's film was never released, but it is now being aired on Showtime. Because the small screen has laxer standards for comedy (after all . . . Full House?), you may briefly indulge the strenuously facetious antics, the wisenheimer narration, the cameos...