Word: kellers
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...heavy going. Director Pollack has almost flawlessly understated its case. The Europe through which his couple move is one of soft colors, handsome but not overawing. And in Al Pacino he has one of the few actors who can play narcissism without seeming to be a lummox, while Marthe Keller finds a steely spine in her characterization of what might have been your standard movie kook. She is vulnerable without being pathetic, compelling without being neurotic...
...Phyllis Keller, Harvard's equal opportunity officer, said yesterday Harvard fixes pay levels for associate and assistant professors, and individuals' salaries depend entirely upon their length of service...
...After a role like that, there is nothing more to do," says Swiss-born Actress Marthe Keller. Her ultimate film experience was playing a vampish Hollywood star called Fedora, who has something in her of Garbo, Dietrich and Gloria Swanson. After working non-stop for a year and a half (earlier films: Black Sunday, Bobby Deerfield), Marthe, 33, has been resting in her Left Bank mansion in Paris. This week she will return to Manhattan and the apartment she shares with Actor Al Pacino. When she is ready to work again, it may be back to the boards. Says Marthe...
...When I acted in France, I played romantic roles and comedy. But here in the U.S., I am the mean lady," says Swiss-born Actress Marthe Keller, 30. Mean is perhaps not quite the word for her roles as a double agent in Marathon Man and as a Palestinian terrorist in Black Sunday. "I couldn't connect with that part, it was so violent," she says. "I played it cold, without emotion, like I would do Lady Macbeth." Her next appearance will be in Bobby Deerfield with her real-life love Al Pacino. She is also signed to play...
...plays a professional Israeli commando tailing the Black September group who is on the verge of beginning to soften and see the other side's point of view, and he conveys the tension between self-doubt and the need to stay tough for appearances with great finesse. Only Marthe Keller, as the bitter Palestinian woman who masterminds the plot, comes up wooden--she seems a little too cold and calculating for someone who's bearing two generations of suffering on her heart. The real star, though, is Frankenheimer, whose direction is tight and professional, and whose product is gripping...