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From Linda Kellogg, if you're lucky. Kellogg is no VC, but in some ways she's just as indispensable. Working as the director of human resources at Venture Law Group, she was constantly being tapped for advice by 28-year-old wonder-boy CEOs. "Here's this very bright Harvard M.B.A., who just got $12 million, asking me where to get phones," she recalls. Hello, business plan...

Author: /time Magazine | Title: Virtual Assistants: Quick, Get Me a Desk! | 9/27/1999 | See Source »

...probably harder to get her than to get our VC," says Kris Hagerman, the CEO of Affinia. "I bought her lunch and pitched her for an hour and a half." Kellogg waived her fee and, VC-like, took equity in lieu of cash...

Author: /time Magazine | Title: Virtual Assistants: Quick, Get Me a Desk! | 9/27/1999 | See Source »

...company in which the sets are simple and the voices not always of the very highest octane. But Glimmerglass, which produces four operas each summer (the current season runs through Aug. 23), is not about gleaming high Cs; instead, the show is the star. Artistic director Paul Kellogg and music director Stewart Robertson hire young artists who know how to move as well as sing and directors and designers with a knack for knocking the rust off tired masterpieces. Add to this the special pleasure of watching opera in a theater small enough that you can see Rigoletto's eyebrow...

Author: /time Magazine | Title: All-Star Lineup | 8/9/1999 | See Source »

...Astonishing stage pictures can be wonderful, but they're not enough," says Kellogg, 62, who, by all accounts, has been the prime mover in turning Glimmerglass into a major force in American opera. "We keep our productions spare so that the audience can concentrate on what is happening between the characters onstage. We look for singers who are really good actors--and then we give them room...

Author: /time Magazine | Title: All-Star Lineup | 8/9/1999 | See Source »

Since 1996, Kellogg has also been in charge of the New York City Opera, which performs at Lincoln Center in a 2,700-seat house whose stage is identical in size to that of Glimmerglass's 900-seat Alice Busch Opera Theater. This makes it possible for productions to be opened and polished in Cooperstown, then moved to New York City, where they can be seen by bigger audiences (and telecast over PBS). The two companies also share an ensemble of theatrically savvy young American singers, foremost among them soprano Lauren Flanigan, whose Olivier-like immersion in her roles...

Author: /time Magazine | Title: All-Star Lineup | 8/9/1999 | See Source »

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