Word: kenney
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Dates: during 2000-2009
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...white tulle skirts. A trio unfortunately dressed in bright blue gave a particularly sloppy performance, one of which opened with an extremely messy pirouette turn. A pair in green entered with leaps that, because of their bent front legs and little altitude, were disappointing to watch. Nonetheless, Sarah C. Kenney ’08 (also clad in green) was the one redeeming factor of the piece, giving a generally clean performance...
Thankfully, “Bravura and Blues” soon took a turn for the better. “A Little Happy, A Little Sad,” choreographed by Kenney, began and ended with visually gorgeous poses—black silhouettes against a bright blue background. The costuming choice was simple: elegant leotards that allowed the audience to see the dancers’ successes and mistakes alike, with no distraction from the outfits...
...importance of remembering the tragedy and those affected by it, while recognizing the new appreciation of life that death brings to the living. Music was provided by the Harvard University Choir, and the congregation was invited to participate in prayers and the reading of Psalm 23. Robert J. Kenney ’10 said that he found the service to be “very uplifting.” “Reverend Gomes really captured what I was feeling,” Kenney said. “He gave a positive and respectful message about the tragedy...
...typical workplace, emphasizing the office interactions that eventually lead to the “suicide” of Kevin Shee ’10. Some of the characters in this theatrical story take getting used to, such as two women joined together by their hair (played by Sarah C. Kenney ’08 and Joanna M. Zimmerman ’10) and a moving, human desk-and-chair set created by Joanna R. Binney ’08, Julia K. Lindpaintner ’09, and Marin J.D. Orlosky...
...most intriguing aspects of “American Grace” is the order of its tremendous variety of pieces. Brettman, Keller and Kenney juxtapose the classics of dance with radically modern pieces that have transformed and reinvented these influences. The unusual sequencing of the show is rarely jarring, and creates interesting connections between the pieces and their themes—connections that hint at the fundamental contradictions within American history itself...