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...Kent Bostick is a groundwater hydrologist in Albuquerque, New Mexico. At 43, an age when most Olympic cyclists have long since retired, he's competing in his first Olympics. He has kept up a grueling 250-mile to 500-mile-per-week training schedule while working 35 hours a week disposing of contaminants. He does a little of both work and training by riding 20 miles to his office each day. His wife Carol Ann, a racer herself, and some friends often meet up with him after work for a three- to four-hour training ride in the hills...

Author: /time Magazine | Title: MORE THAN ATHLETES | 7/22/1996 | See Source »

Bostick attributes much of his athletic longevity to a nutritional diet that includes lots of fruits, fresh vegetables and nutritional supplements. But the real reason Bostick defeated favored competitors 15 years his junior to make the Olympic team had nothing to do with sustenance. "Kent might not have been the fastest rider, but he was the one who wanted it the most," says Frank Scioscia, director of Bostick's riding team, Shaklee--named for its health-food-company sponsor. "In athletics, desire is often the deciding factor...

Author: /time Magazine | Title: MORE THAN ATHLETES | 7/22/1996 | See Source »

Johnson may seem like Superman on the track, but he is decidedly Clark Kent off it. "He hasn't changed a bit since he came to me as a freshman," says Hart, who has been coaching at Baylor for 33 years. "Good head on his shoulders, great work ethic even then. His parents did an excellent job of raising...

Author: /time Magazine | Title: MICHAEL JOHNSON: THE DOUBLE DARE | 6/28/1996 | See Source »

...then, just when you think you are in Smallville with Clark Kent, the man figuratively rips open his shirt to reveal his true identity. Asked if there's another challenge beyond Atlanta, Johnson says, "Well, actually, I've been thinking about adding the 100 meters to my repertoire...

Author: /time Magazine | Title: MICHAEL JOHNSON: THE DOUBLE DARE | 6/28/1996 | See Source »

...Rockwell Kent, Edward Hopper, George Bellows, John Marin, Marsden Hartley--they all owed Homer something. His images of men, sea and mountain, and especially of women, were asexual, but that only made them more American, and saved them from the whiff of scandal that clung to Eakins. His mastery and fluency--in oil and especially in watercolor, which he was largely responsible for establishing as a serious medium in America--were the envy and secret despair of many an artist. The triumph of modernism after the 1930s, however, put Homer's reputation on the downgrade; he looked like an illustrator...

Author: /time Magazine | Title: ART: WINSLOW HOMER: AMERICA'S SUPREME REALIST | 6/24/1996 | See Source »

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