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...Crimson won the second sabre rounds, 2-1. Its confidence reinstilled, the team then rallied to 3-0 victories in the second rounds of both foil and epee competition. Kent Libbey fenced in O'Neil's position for the second round of epee. At the end of the second round, Harvard commanded a 13-5 lead, one victory away from...

Author: By Esme C. Murphy and The CRIMSON Staff, S | Title: Crimson Swordsmen Slaughter SMU, Slice Up Outclassed Opposition, 16-11 | 12/3/1979 | See Source »

Members of the cast each played at least two and as many as six roles which sometimes worked well, depending upon the actor. Jonathan E. Alsop slid versatilely from the pomposity of the Grand Duke to the kind-heartedness of the peasant Lavrenti. And Stephen Kent neatly changed gears from the obsequious Fat Prince to the macho Corporal to the doddering Old Man. However, Daniel Hershman was dismayingly flat, whether as the governor, monk, or Shauwa...

Author: By Mary G. Gotschall, | Title: Taking Sides in a Circle | 11/16/1979 | See Source »

...only other serious threat from the Orioles came in the bottom of the eighth when Lee May, pinchhitting for McGregor, drew a walk. The tiring Jackson then gave away another base on balls to Al Bumbry. Tanner removed Jackson and brought in Kent Tekulve...

Author: By Michelle D. Healy, | Title: Stargell Swings Bucs to Title, Named '79 World Series MVP | 10/18/1979 | See Source »

...Pittsburgh Pirates, aided by shoddy Baltimore defense, rode the shutout pitching of John Candelaria and Kent Tekulve last night to win a 4-0 win over the Orioles and 3-3 tie in the best-of-seven World Series...

Author: NO WRITER ATTRIBUTED | Title: Pirates Shutout Orioles, 4-0 Carry Series to Game Seven | 10/17/1979 | See Source »

Lear's entourage--Martha Jussaume's Cordelia, Tom Dinger's Fool, Richard McElvain's Kent--clearly got the word from Cain to "be loving," to be tender, to fit his interpretation of the play in the program notes. They hug each other a lot, hold each other's arms, "are supportive," as the psychologists say; they form pieta-like tableaux of familial affection. There's little wrong with that, and it might make a valid production of Lear someday, but all the actors--not just the nuclear family--would have to work towards realizing it, and the director would have...

Author: By Scott A. Rosenberg, | Title: Not the Promis'd End | 10/15/1979 | See Source »

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