Word: kenyon
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Hoopla (Fox) is a tardy adaptation of Kenyon Nicholson's famed play The Barker, directed by Frank Lloyd (Cavalcade, Berkeley Square) and designed to re-establish the vanished prestige of Actress Clara Bow. She is Lou, hardboiled dancer in a carnival, who, to oblige the mistress of the proprietor (Preston Foster), makes advances to his callow son (Richard Cromwell), ends by marrying...
...finalists, four men and four women, went through their paces: three deadstick landings to a spot, two loops, a spin, two Immelman turns, two snap rolls-not prodigious feats, but calling for skill. Neatest performance was made by a woman, Mrs. Cecil W. ("Teddy") Kenyon of Waban, Mass. Pretty, blonde wife of a former transport pilot, Mrs. Kenyon received $5,000 and the title of champion airwoman. Not so good as Mrs. Kenyon at spot landings, but unsurpassed at aerobatics was an engaging young man named Felix William ("Bill") Zelcer, proprietor of Manhattan's famed White Horse Tavern...
Sailor, Beware! (by Kenyon Nicholson & Charles Knox Robinson; Courtney Burr, producer). The thirteenth play of the new dramatic season has no jinx on it. It is as funny as it is bawdily outrageous, and so neatly executed that you will not recall many individual lines. The comic elements in Sailor, Beware! are simple enough: "Dynamite" Jones (Bruce Macfarlane) is the deadliest love pirate in the U. S. Navy. He has cardboard boxes full of garters, duly tagged, to prove it. In Panama, however, lives a young lady named Billie Jackson (Audrey Christie) whose hard heart has gained her the sobriquet...
...Sarnac (Alan Mowbray) is the greedy Minister of Finance to Louis XV (Reginald Owen). Because Voltaire (George Arliss) writes tracts denouncing his heavy taxes, the Count tries to bring him into disfavor with the King- unsuccessfully because the King enjoys Voltaire's conversation and Mme Pompadour (Doris Kenyon) finds him entertaining...
...cinema, Bruce Foster finds time, while building up his fortunes, for an elaborate sex life. First he enjoys a liaison with an English artist (Elizabeth Allen), to whom he explains his theory that marriage is a nuisance. Next he gets engaged to a slick and silvery cosmeticist (Doris Kenyon) until she grows too arduously possessive. When he breaks their engagement, the cosmeticist throws herself out a window and Bruce Foster goes back to his artist, who finds him in the speakeasy where he started. Somehow, the suicide of his fiancee has filled him with remorse for fooling the public...