Word: keogh
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Dates: during 1950-1959
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...year lobbyist for Franco's Spain, who has been one of Pearson's prime targets in the past few months. In detailed columns, Pearson charged Clark with using undue influence to get Maine's Senator Owen Brewster and Brooklyn's Congressman Eugene Keogh to sponsor aid to Franco. There seemed little doubt that these and other Pearson columns had contributed to Brewster's election defeat (see NATIONAL AFFAIRS...
...want to talk to you.' I stopped . . . and he whammed me a helluva jolt on the neck." After that, according to Pearson, he was too busy "reeling around" to see Clark's blows, but recalls that Clark was "yelling . . . 'Take that for Brewster, take that for Keogh.' " Not so, said Clark: "I hit him in the eye with my left, swung with my right, missed . . . and yelled at him, 'This is for Forrestal and Brewster and Vaughan and Keogh and myself, you son of a bitch...
...Maloney fumed and shouted that his man would talk only at an open session, and the closed hearing broke up without a word of testimony from the mystery man. Next day the subcommittee suddenly decided to oblige Lawyer Maloney, and opened the doors. Brooklyn's Democratic Representative Eugene Keogh, substituting for Committee Chairman Cecil King, was armed with a gavel and a special pounding block for the big show. But before five minutes had gone by it was obvious that Maloney, his bluff called, was not going to let Grunewald answer questions even in open session. The lawyer tried...
...Finally, Keogh agreed that Grunewald might read Maloney's statement. Grunewald fumbled with the pages, read haltingly, without even changing the phrases which referred to "my client." Essence of the statement: Grunewald wasn't going to answer any questions, because the subcommittee had turned itself into a trial court and was judging and convicting defendants without due process...
...last night announced the following production staff for the spring show: managing director, David Bowen '51; director, William Wheeling '50; producer, Palmer Dixon '50; stage manager, Harold Stone, Jr. '53; sets, Robert S. Emmet, Jr. '52; costumes, Paul W. Etter '51; choreographer, John F. J. Keogh '52; lighting, Nancy Ryan; and publicity, Robert H. DiComes...