Word: kept
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Dates: during 1950-1959
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...career is a thunderous theatrical cliche. Even the name is a typical Hollywood banality: 28 years ago when she was born, Anne Bancroft was Anna Maria Italiano. She was the kid who scribbled on the back wall of her apartment house, "I want to be an actress," and who kept showing off for the handsome stranger whom she took...
...achieve such precise stagecraft, Actress Bancroft worked hard with a variety of teachers, still submits to the rigorous and introspective training of the Actors' Studio. What sets Anne apart from other Method actors is the stubborn perseverance with which she has kept her quick and sensitive emotions unfettered by theory and cant. "I've never liked to read," says she. "But I don't cover up my ignorance ; if I admit it, people will teach me. On the third TV show I ever did, Rod Steiger told me about Stanislavsky. I said...
Anne Marno: CDXX. After the family celebration, after the gilded sign ("Welcome home, star!") came down from the Italiano door, other acting jobs came slowly. Anne kept busy peddling chocolate-covered cherries in drugstores and giving English lessons to Peruvian Singer Yma Sumac. Then she got a running part in the TV version of The Goldbergs. Danger, Suspense, and other CBS shows began to use "Anne Marno," as she then called herself. Her acting reputation grew. In his files, TV Director Franklin Schaffner still keeps a card for Anne Marno with the coded notation: CDXX. Translation: can play comedy...
Eccentric Alliance. Hollywood gossips kept track of Anne's long and apparently aimless list of dates. Says she: "I wanted to get married-just about anybody would have done. I'd even thought of marrying Jessel." She finally married Martin A. May, nine years her senior, the son of a wealthy ranching family. It was an alliance that seemed eccentric even for Hollywood. Martin was studying law when he met Anne (after five failures at the bar exam, he gave up the effort). He wanted to keep the marriage a secret until he could tell his mother...
Patty's voice is almost as versatile as Anne's; she supplied the young boy's tones for Playwright Gibson's recorded offstage "voices." Although she turns 13 this week-notwithstanding the pressagentry that kept her ten years old for three years-Patty backstage is still often the grade-school child, an inveterate lap sitter. Onstage she is a polished professional who can think on her feet. Once, when a set door stuck and Anne Bancroft swore helplessly under her breath, Patty promptly began making her "noises," the grunts of the speechless, to cover Anne...