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Word: kept (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Nonetheless, Brzezinski's bristling rhetoric-diplomacy by bluster, some called it-kept his colleagues nervous. Kissinger, for one, tried quietly through various Cabinet members to convince Carter that he should get rid of Brzezinski. Carter never went along, although White House senior aides say the President has developed a healthy skepticism about Brzezinski's steady stream of proposals. During the final spasms of the Iranian crisis, for instance, it was first decided that Brzezinski, not Vance, should fly over to try personally to bolster the Shah, a mission Brzezinski eagerly pushed. At the last moment, Carter was talked...

Author: /time Magazine | Title: Nation: The Question of Who's in Charge | 9/3/1979 | See Source »

...while embodying the spirit and idealism of Carter's Human Rights policy, he also became at times a loose cannon on deck, damaging not only his own image but that of the President who loyally kept him in office...

Author: /time Magazine | Title: Nation: The Turbulent Times of an Outspoken Ambassador | 8/27/1979 | See Source »

...issues in the breakup of Robert and Dorothea Curley's marriage must be unique. Dorothea, 38, filed for divorce in Chicago after 18 years of marriage, three children and, at last count, 35 ducks. During a support hearing, she complained that the ducks her husband kept as pets upset the neighbors with their noise and untidy habits...

Author: /time Magazine | Title: Americana: A Fine Flap | 8/27/1979 | See Source »

...wait long to press their demands. In an eloquent TV documentary aired last month, a young Birmingham Asian, Tony Huq, expressed his generation's mood of defiance: "Gone are the days when we didn't even make a whimper. Gone are the days when we kept quiet about discrimination. Gone are the days when we accepted second-class citizenship...

Author: /time Magazine | Title: BRITAIN: Facing a Multiracial Future | 8/27/1979 | See Source »

Silent, muffled in form, tinged with the pathos of the discarded chrysalis, George Segal's plaster figures have kept their place on the edge of modernism for the better part of 20 years. They have also shown how art changes one's reading of other art. In the early 1960s, when Segal -the son of a New Jersey chicken farmer -first emerged as a sculptor, he was identified with Pop art. This happened because some of his tableaux had an aggressive, urban character and used real props: stacks of oil cans, winking beer neons, even the inside...

Author: /time Magazine | Title: Art: Invasion of the Plaster People | 8/27/1979 | See Source »

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