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...harvest time, Kovacevich employs about 400 workers at $5.75 per hour, plus an extra 20 cents per box. Because Kern Country employs more than 25,000 pickers in the harvest months, some workers arrive from Texas and Mexico, but Kovacevich says his workforce is still 75 percent local...

Author: By Caitlin E. Anderson, CRIMSON STAFF WRITER | Title: Non-Unionized Farms Not Exploitative, Says Grape Grower | 12/1/1997 | See Source »

...critic who can't resist a good show or the damnably hummable tunes of a Rodgers or a Lloyd Webber, a really professionally staged musical is often a source of lively, if somewhat guilty, entertainment. So it is with the lavish production of the Kern-Hammerstein classic "Showboat" currently playing at the Wang Center through August...

Author: By Lynn Y. Lee, | Title: Can't Help Lovin' Dat Musical | 6/27/1997 | See Source »

...Alvin Ailey performed three works: "For 'Bird'-With Love," "Fandango" and "Revelations." The first piece was an all-new production of Alvin Ailey's original "For Bird" of 1984, a tribute to the jazz legend Charlie Parker. With music by Charlie Parker, Dizzy Gillespie, Count Basie and Jerome Kern, it was a lively and moving reflection of the young jazz legend's life. Born in 1920, Parker, better known as "Bird," rose to great heights in the music world. Along with Dizzy Gillespie, he helped to establish bebop, putting West 52nd Street, now known as Jazz Alley...

Author: By Christiana Briggs, | Title: Alvin Ailey Dazzles & Delights | 5/1/1997 | See Source »

...supposed to be there," said Staff Sergeant Dennis Clarke, who commands Lieut. Colonel French's faux M-1. "But when the bullets start flying, all the technology in the world counts for naught." His commanding general endorsed that view wholeheartedly. "The best computer out here," said Major General Paul Kern, "is still between our soldiers' ears...

Author: /time Magazine | Title: WIRED FOR WAR | 3/31/1997 | See Source »

Most of these people can't sing any better than you or I, but that's part of the movie's charm and a lot of its point. They all want their life to be set to a soaring score by Kern or Gershwin; they all want to believe that there is an authentic possibility of romance when they visit Paris or Venice; they all hope for the kind of transformative musical epiphanies that would suddenly be vouchsafed Kelly or Astaire as they soft-shoed through their happier--or anyway more stylized--realities...

Author: /time Magazine | Title: CINEMA: THEY SORTA GOT RHYTHM | 12/9/1996 | See Source »

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