Word: kerning
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...again songs they had never forgotten. Musical comedies do not act that way. They make what money they can while they are new, then fade into limbo forgotten except perhaps for a stray tune. But four years ago, even before the first curtain went up, Broadway sensed that Jerome Kern's Show Boat was different...
...levee theme, developed fully in "Ol' Man River" when the Negro chorus comes on stage, sweating under bales of cotton, is the kernel around which Show Boat's music grew. Composer Kern wrote the song for Negro Paul Robeson. Then around it he wove his melodic fabric to fit the libretto which Oscar Hammerstein II craftily extracted from Edna Ferber's novel. Paul Robeson was to have sung in the original U. S. production but it was delayed. Contracts called him to London. He sang in the London show, had his great success. He was in last...
...first the construction and installation of air conditioners was an expensive engineering feat indulged in by cinema "palaces," zoos, the U. S. Senate. Department stores quickly discerned an inducement to summer trade. Big department store installations include Hudson's in Detroit (a $1,000,000 job); Kern's, also in Detroit; Abbott's, Tulsa; Ayres's, Indianapolis; Filene's, Boston; Macy's. Manhattan; Sanger's, Fort Worth; Smith-Kasson's, Cincinnati; Strawbridge & Clothier, Philadelphia...
...They all started singing. They sang "You're My Everything" with Harry Warren, "Charmaine" with Erno Rapee, "Body & Soul" with Johnnie Green, "I'll See You Again" with Noel Coward, "My Song" with Ray Henderson, "Of Thee I Sing" with George Gershwin, "Old Man River" with Jerome Kern. Through it all little Irving Berlin was flying all over his keyboard with the most elaborate gestures. But people sitting near him could see that he was playing in cinema fashion, not touching the keys. When his turn came to solo, his colleagues started to snicker. Red as an apple...
...Edward Heyman, who put words to the music of Three's a Crowd and There Goes the Bride. Incorrigible, bandy-legged Charles Winninger is the comedian. The music is the most ambitious attempt of Vincent Youmans, than whom Richard Rogers, George Gershwin, Cole Porter or Jerome Kern are no better. And yet, for all this talent, Through the Years remains a dreary, lifeless affair of lavender and old lace. You will sit through the better part of three acts before you hear a tune anything like the kind Composer Youmans wrote for Rainbow, Great Day, Hit the Deck...