Word: kerrs
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Dates: during 1950-1959
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...many new ways," said a YPF engineer last week. "They have instilled in the whole area an attitude that work can be fun, too." Now rating top priority in Frondizi's budget, YPF will drill 4,100 wells on its own by 1965, has let contracts to Kerr-McGee, Southeastern Drilling and the Italian ENI for another...
Before the 48th annual convention of the Investment Bankers Association of America last week in Bal Harbour, Fla., outgoing President William D. Kerr posed a challenge: "I visualize a titanic struggle between the forces that would foster and perpetuate our local governments and our right to the well-known freedoms and those who would turn these United States into a huge federal omnibus in which the individual would be reduced to being a number in a file...
...Kerr, a partner in the Chicago investment house of Bacon, Whipple & Co., told the bankers that those "who know the invariable wisdom of balanced budgets, of stable money and of sound debt management must be moved to use every means to convince the people of this country that their standard of living and the freedom of their daily lives are at stake...
...biggest witch in Hollywood?" a famous actress shrieks at Sheilah. "Only the second biggest," Sheilah purrs back, looking as if she has just said something brilliant.) And scarcely a scene goes right for Director Henry (The Bravados) King. The principals stumble around in patent and sometimes comical confusion. Deborah Kerr is a fine, sensitive actress, but when she tries to play Sheilah as a hard-lipped careerist, she looks like a nice little girl about to say boo to a goose. Gregory Peck tries painfully hard to be Fitzgerald, but manages no more than a nightclub imitation of an intellectual...
...American stage," cried John MacLain in the Journal American. Hobe Morrison in Variety spoke of "this exalted drama," John Chapman of the Daily News thought it "a magnificent production of a truly splendid play," Richard Watts of the Post called it "a fine drama" with "stunning performances" and Walter Kerr of the Herald Tribune felt he stood before "a sober and handsome monument" that was "enormously impressive" and, of course, "sheer theatre." Exclaimed John Mason Brown, Critic Emeritus of the Saturday Review (and Harvard, '23): "Never such greatness in the theatre--not since Mourning Becomes Electra, Green Pastures...