Word: kerwin
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Dates: during 1980-1989
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...homosexuals, but also suspense. But why focus on the dreary-aspects of this "thriller"? The director himself apparently thinks tantalizing viewers is worth no more than the movie's last ten minutes, when the murderers are finally introduced. By then, you can't miss them: As Benson and Kerwin tool around town in their lavender VW convertible (homosexuals couldn't possibly drive a blue Chevy), an ominous-looking, long black Cadillac limousine appears...
...detectives, with a combined 18 years on the force, almost miss the film's only real, if heavy-handed clue. While at a bar, a friend tells Kerwin, "You know, I think--is the killer." Kerwin looks surprised; the audience looks dumbfounded. But, sure enough, the guy in the bar proves right...
...audience to poking fun at homosexuals clumsily designed to provoke raucous laughter. See if you can contain yourself. Benson asks his chief, "Why did you choose me?" The chief responds, "Because you're a good cop.. and 'cause of your cute ass." An aging homosexual tells Benson and Kerwin, "You have got to stick it through. Hang on tight, tight, tight," Benson tells his partner." "Those two faggots look alike. All faggots look alike." The two follow a suspect into a supermarket. While Benson watches diligently, Kerwin busies himself with detergents. "Are we on a case or what?!" Benson...
...KERWIN'S COMMENT underscores the main flaw in this problem-laden film. Partners invariably presents homosexuals as lustful, lascivious, whining fools. One middle-aged man, who, when he's not feeling Benson's thigh and cooing "fabulous" in the most stereotypical fashion, flirtatiously peers through ferns, squealing "Peekaboo!" or "hiii boys...
...Although Kerwin ultimately saves Benson's life and solves the case, he nevertheless remains confined to similar stereotyping. He shakes so badly when he holds a gun that he not only drops his weapon but also falls out of a tree. We're invited to laugh along at a homosexual's ineptitude. At the beginning of the film, when he receives his assignment, Kerwin moans, "I've always been in the office.. but on the streets?!" A homosexual's place, of course, is in the home...