Word: kesteren
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Dates: during 1960-1969
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...well as conductor, creates a performance that combines operatic grandeur in the Dies Irae with the religious awe attending death that is heralded by the sepulchral drumbeats at the close of the Agnus Dei. The four first-class soloists (Maria Stader, soprano; Hertha Töpper, alto; John van Kesteren, tenor; Karl-Christian Kohn, bass) enter into the spirit of their conductor's classical conception: they never struggle to achieve Wagnerian eminence of tone but modestly blend into the musical architecture. The vocal texture of the Munich Bach Choir is glowingly transparent, despite its 90-odd members, even...
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