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Look Homeward, Angel (adapted from Thomas Wolfe's novel by Ketti Frings). Few novels of any size or importance can be transferred to the stage without forfeiting an amplitude that is half their strength, a personal accent that is half their essence. Look Homeward, Angel is one of the few, and the reason is clear enough: the novel's amplitude is often the sheerest excess, its personal accent the most rioting rhetoric. For all Wolfe's great gifts, his novel was too often diminished by a craving for size, impoverished by an orgy of word-spending, made...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Dec. 9, 1957 | 12/9/1957 | See Source »

Manhattan's Theater Guild began its 25th season last week with two new Broadway productions. They revealed that, at 25, the Guild is past its prime. Neither Ketti Frings's Mr. Sycamore nor Philip Barry's Without Love would probably have rated a bid to the exciting birthday parties of the Guild's youth, when whimsey and small talk were freezingly snubbed...

Author: /time Magazine | Title: The Theater: Tinsel Jubilee | 11/23/1942 | See Source »

...unique means Petroff selects to meet his inamorata, a set of misunderstandings begins which brings into action an ocean liner, a pack of dogs, an airplane, a marriage for business reasons, an absent-minded impresario (Edward Everett Horton), an oily hotel manager (Eric Blore) and a scheming noblewoman (Ketti Gallian) before the two dancers arrive in each other's arms for good...

Author: /time Magazine | Title: Cinema: The New Pictures: May 10, 1937 | 5/10/1937 | See Source »

...Marie Galante" is an exciting picture a well-constructed story swiftly and surely moving to a satisfying climax. Ketti Gallian, a gift from France, does quite well with a rather vapid leading role in which she is allowed to do little more than look attractive and sing a Lucienne Boyet type of song in a rather even, delicate voice. Miss Gallian is very handsome to see and has a highly attractive sort of Gallic charm; she should do well given a worthy vehicle for her talents...

Author: By S. M. B., | Title: CRIMSON PLAYGOER | 11/6/1934 | See Source »

...This is Ketti Gallian's first feature cinema. Producer Winfield Sheehan signed her in London, where, playing in The Ace, she had been enough of a success to start two fashion fads: red hair ribbons and black silk stockings. Previously she had been a chanteuse in French cafés, had made French shorts. While in The Ace, she used to fly to Paris every week-end to see the races at Longchamps. Her first Hollywood contract contained a clause making it compulsory for her to speak perfect English in 100 days. Before the time expired, studio officials made...

Author: /time Magazine | Title: Cinema: The New Pictures: Nov. 5, 1934 | 11/5/1934 | See Source »

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