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Word: kettledrumming (lookup in dictionary) (lookup stats)
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...huge symphony orchestra in which each instrument retains its own characteristics, makes its particular contribution and, together with the other instruments, creates a wonderful or a terrible sound. Surely, to achieve a good sound, a French horn does not become a violin, nor does a piccolo turn into a kettledrum; rather, each strives harder to play in harmony with the others...

Author: /time Magazine | Title: Letters: Dec. 16, 1966 | 12/16/1966 | See Source »

...Stokowski, a bow to the Philadelphia Orchestra, a bow to the audience in Manhattan's Philharmonic Hall, stocky Kimio Eto adjusted his formal robes and settled before a 6-ft.-long stringed instrument that looked like the fuselage of an unfinished model airplane. He bowed again, and a kettledrum thundered to begin the premiere of Modernist Composer Henry Cowell's Concerto for Koto and Orchestra, the first concerto ever composed by a Westerner for the 1,100-year-old Japanese instrument...

Author: /time Magazine | Title: Instrumentalists: Eto & the Koto | 1/8/1965 | See Source »

...mischievous. He is an outgoing, flamboyant man to whom privacy is sacred. Now he is snapping out wisecracks. Now he is sitting alone, quietly unapproachable. He is too often bored. He is a bad listener in general conversation and a good one when acting. He has a great big kettledrum laugh. He is afraid of airplanes and strangers. "He is all fun and jazz until a stranger comes in,'' says a onetime member of his staff. "Then he goes into that fat shell...

Author: /time Magazine | Title: Movies: The Big Hustler Jackie Gleason | 12/29/1961 | See Source »

Vaudeville & Lampshades. Her voice today sounds like gravel dripping onto a kettledrum; her teeth have been capped four times; her tall, big-boned frame suggests the rambling form of her older brother, Dan Dailey. Their late father, manager of Manhattan's Roosevelt Hotel, had some objections to Irene's theatrical ambitions, but neither he nor anyone else could have checked them. At eight, she was dancing in vaudeville, and at 18 she was launched in summer stock...

Author: /time Magazine | Title: Show Business: The Perils of Irene | 7/18/1960 | See Source »

...concession to the inadequacies of the organ, timpani were used with powerful and at times terrifying effect. But the apocalyptic climaxes were achieved at the price of turning the second chorus into a kettledrum concerto, and the theatricality of this novel compromise did not blend well with the rest of the performance...

Author: By Paul A. Buttenwieser, | Title: Brahms' Requiem | 5/6/1958 | See Source »

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