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...grown from a shaky start with Cold Spring Harbor, his virtually unknown debut album, to the 1976 blockbuster, Turnstiles. Each album gave the music world fresh looks at life, love and people, all set to Joel's masterful keyboard compositions. Whether he was ridiculing the radical in "Angry Young Man," probing sentimentality in "You're My Home," or reminiscing about foolish teenage love in "Scenes from an Italian Restaurant," Joel maintained a lyrical poignancy that hit home with both his listeners and his critics...

Author: By Mark D. Director, | Title: A Spirit Departed | 11/13/1978 | See Source »

DARYL HALL and John Oates are a curious combination. They possess a wealth of musical talents, both having shown over the course of their careers that they can write exceptional music. Neither one displays exceptional virtuousity with instruments--Hall plays an adequate keyboard and Oates strums a less-than-spectacular guitar. However, vocally the two complement each other nicely. Hall's wide-ranging, piercing voice contrasts well with Oates' smooth, sensual tenor...

Author: By Mark D. Director, | Title: Potpourri on the Ledge | 10/18/1978 | See Source »

Rachmaninoff reputedly said of his Third Piano Concerto that he "wrote it for elephants." You may agree or disagree after hearing the Boston University Symphony Orchestra's performance Friday night at Symphony Hall, Boston. Joseph Silverstein conducts and Anthony di Bonaventura is at the keyboard for this work, which Rachmaninoff completed before his first American tour in 1909, and which Mahler conducted in New York. The concert, including other works, is at 8 p.m. Tickets are $2.50 and information...

Author: By Richard Kreindler, | Title: Rachmaninoff, With Tusks | 10/12/1978 | See Source »

...Ronstadt favorite, J.D. Souther, whose songs have consistently strengthened her albums. This time she picks a slow love song, backed by a sweet pedal steel. "White Rhythm and Blues" ends side one with a sweet, sentimental tone, Ronstadt's voice enveloping the soft electric piano of Dan Grolnick, whose keyboard skills are heavily used in this album...

Author: By Mark D. Director, | Title: Little Linda Grows Up | 10/10/1978 | See Source »

...Music knows neither frontiers nor race nor nationalism," the promoter told the crowd of 2,000 Italian and French jazz lovers. With that, Count Basie, 73, the grand old master of keyboard swing, stepped up to a piano placed smack on the Franco-Italian borderline on the Pont St. Ludovic, and with his band launched a medley of such crowd pleasers as Sweet Georgia Brown and Freckle Face. Meanwhile traffic was blocked on both the Italian and French sides of the bridge, and a cacophony of auto horns accompanied the Count. "I've played outdoors before but never like...

Author: /time Magazine | Title: People, Aug. 7, 1978 | 8/7/1978 | See Source »

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