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...though Herbie sprang from nowhere. As composer and keyboard man with Miles Davis from 1963 to 1968, Hancock long ago made his mark in the jazz community. When he stepped out on his own, it was to make a series of innovative LPs for Blue Note and Warner Bros, that combined an almost impressionist sense of harmony, fleet melodic lines and sprinting tempos...

Author: /time Magazine | Title: Music: Improvising on the Beat | 7/8/1974 | See Source »

That the audience loved his music is easy to explain. The Band, probably the most talented American rock group, again proved its discipline, energy, and versatility. The group's lead and bass guitar playing, the keyboard work, and particularly the singing of Levon Helm were outstanding. In the evening concert, Dylan fit in easily with the group, coordinating his rhythm guitar with the Band better as the performance progressed. During their two solo sets, The Band played mostly old songs. "I Shall Be Released," which Dylan wrote, and Robbie Robertson's "The Weight" and "The Night They Drove Ol' Dixie...

Author: By Peter M. Shane, | Title: The Thin Man Goes His Way | 1/18/1974 | See Source »

...Hand operation of keyboard controls...was involved in starting and stopping the recording of each [blank] segment," the experts said...

Author: NO WRITER ATTRIBUTED | Title: Findings on Gap Do Not Match Woods's Story | 1/16/1974 | See Source »

...that can accurately be called spectacular. Only the Pole Josef Hofmann could be compared with him as a virtuoso pianist, and even Hofmann behaved deferentially around Rachmaninoff. No other concert pianist, except Prokofiev, had Rachmaninoff's stature as a composer. No composer since Liszt ranked as such a keyboard soiree idol...

Author: /time Magazine | Title: Music: Sergei the Somber | 1/14/1974 | See Source »

What kind of keyboard interpreter was Rachmaninoff? Like composer, like pianist. He was an unabashed romantic with unsurpassed gifts for pianistic col or, rhythmic thrust and pure trickery. But his most distinguishing trait at the keyboard was probably the pesky individual life of each of his fingers. When he wrote for himself, as in his four Piano Concertos and Rhapsody on a Theme of Paganini (Volume 5 in the new release), he filled his pages with thickets of notes. So clustered are they that one suspects that he begrudged even a moment's pause or silence, at least when...

Author: /time Magazine | Title: Music: Sergei the Somber | 1/14/1974 | See Source »

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