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Name Plate on the Door? Nixdorf continues to concentrate on small-think even though other computers are getting bigger and faster. His company is ready to turn out a computer that uses either keyboard, punch cards or tape, as the customer demands; it adds whatever memory capacity is required to do what the purchaser wants. Prices, depending on sophistication, range from $5,000 to $80,000. Nixdorf remains cordial with the big boys by buying printers from IBM and making a data-logging small computer for Siemens...

Author: /time Magazine | Title: Computers: Successful Stripling | 5/17/1968 | See Source »

...Beethoven. In his concert days, when he was not singing along, Gould liked to conduct himself with whichever hand he could free at any moment. So it is not surprising that he has finally got around to Beethoven's Fifth Symphony. The piano transcription was written by Keyboard Demon Franz Liszt, meaning that both hands are too busy for shenanigans. Gould plays it in respectful dedication to both Liszt and Beethoven. The Fifth is largely free of Liszt's frequent pianistic bombastics and remarkably faithful to the original-save for an occasional missing dissonance. "Liszt removed them," says...

Author: /time Magazine | Title: Recordings: Good as Gould | 5/3/1968 | See Source »

JERRY LEE LEWIS is a vibrating keyboard, flouncing golden locks, and shining Southern teeth. Great Balls of Fire, Whole Lotta Shakin' Going On, and Breathless sound just alike--but unlike any other music in the world...

Author: By Robert P. Marshall jr., | Title: Stylists, Materialists, And A Hierarchy Of Rock | 4/18/1968 | See Source »

...diverse elements of Babe's production clash worst in the play's first third--rendered almost entirely inaudible by poor sound on the film track and Michael Tschudin's silly music which underscores dialogue with all the precision of a dead organist slumped over his keyboard. But Babe's crowded battles, rendered more evocative than specific by bouncing light off shiny armour are, when best executed by Coriolanus's decidedly unconfident extras, unnervingly realistic and indicative of Babe's proclivity toward cinematic stage effect...

Author: By Tim Hunter, | Title: Coriolanus | 3/22/1968 | See Source »

Such statistics carry an unmistakable message: the place to look for the most creative writing in America today is not in bookshops but in author-publisher contracts, with their imaginative use of the top row of the typewriter keyboard-where the $ and % signs snuggle in compelling proximity. The principal practitioners of this profitable art are literary agents, the canny manipulators of today's flourishing writer's market. Authors and publishers alike agree that it is the agent who deserves the traditional flyleaf salute to the person without whose aid, comfort, understanding, affection, patience, encouragement and hard-eyed business...

Author: /time Magazine | Title: Books: The Agents: Writing With a $ Sign | 3/8/1968 | See Source »

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