Word: keyboard
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...first glance, the Photon machine looke like a compact IBM-type computing machine. It has only three major components: a standard Underwood electric typewriter, a telephone relay system, and a photographing unit. Its basic difference from the conventional method of hot-metal type-setting are two. The keyboard of a typecaster is big and complex. Photon uses the keyboard of a standard electric typewriter. And secondly, the end product is different. The old machine casts individual lines of type. Photon, on the other hand, actually sets no type. It simply reproduces, on film, type in any style and size...
...manipulating the appropriate controls located beside the actual keyboard, the Photon operator can pre-set the width of the column and the style and size of the type. Then he can start touch-typing on the keyboard. When he reaches the minimum number of spaces to fill out the desired width, a bell will ring. Another bell will ring upon reaching the maximum number of characters for one line. When this point has been reached, the machine will lock automatically...
...scholarship grants at the University of Portland and the Eastman School of Music. Between studies he took a flyer at salesmanship (encyclopedias), earned enough to finance a cross-country trip by bus. In 1952 he enlisted in the Air Force, which decided that it wanted him at the keyboard of a piano, not at the controls of a plane. At Sampson Air Force Base near Rochester, N.Y. (Major General Richard Lindsay commanding), he set out to compose a huge musical "panorama" celebrating the 50th anniversary of powered flight. Composer de Gastyne's librettist: General Lindsay's daughter Raylyn...
...read Gerald Moore's book The Unashamed Accompanist, about his ups and downs at the keyboard, and thought it would make the basis of a good record. It did. "We have some friends who love cats," she adds. "I like cats all right, and a cat record occurred to me." Practical Cats, with Robert Donat reading T. S. Eliot poems to music by Alan Rawsthorne, turned up in due course...
...times bursts the limits of the medium, as Beethoven was to do still more in his last period with such works as the Hammerklavier Sonata, the Grosse Fuge and the Missa Solemnis. The Trio posed for the composer a problem of balance between piano and strings. Beethoven's keyboard part is full of massive chords and rich arpeggios; to help compensate for this the string parts contain many double notes. The result is a work of far richer texture and sonority than the Mozart or Yellin...