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When Sanders was not playing, he picked upvarious shakers and bells which he used to furtherthe pseudo-exotic atmosphere that teetered on thebrink between ritualistic splendour and purekitsch. Unfortunately, that line was irrevocablycrossed on the tune that ended the set. PianistWilliam Henderson moved over to a Casio keyboardand punched out a bubble-gum pop vamp whileSanders danced around the stage. Sanders thenpicked up a huge metal hemisphere, banged it witha mallet and let the reverberations from the belllinger until they faded to the infinite. Withthis, complete Karmic transcendence of the soulwas reached, although a curiously cheesy smellremained...
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