Word: keyboards
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Dates: during 1970-1979
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...fairly serious attempt to penetrate the mind of the sort of loser who, if properly manipulated, can be turned into a political assassin. Now the book has fallen into the heavy hands of Director Stanley Kramer, and, despite Kennedy's presence at the screenwriter's keyboard, everything that made the book good, popular fiction has somehow been lost...
...away the best known, and most likely the best loved of the Brandenburgs. Dwyer joins soloist/forces in the "triple" concerto with Luise Vosgerchian, music department chairman/pianist and James Yannatos, HRO conductor/violinist. The two latter performers will perform in their latter capacity. Those expecting to hear the keyboard part played on a harpsichord should be warned that Vosgerchian has chosen to play instead on a piano, possibly compromising the sparkle of the fabulous cadenza cascades for a sound that is more suitable to Sanders...
...occupational. Starting as a British blues band, its only claim to notoriety was guitarist Peter Green's authorship of Santana's hit "Black Magic Woman." Even an intimacy with witchcraft failed to spirit them to the top of Billboard, so they initiated a personnel change. Upon Green's departure, keyboard player Christine McVie joined the group, but while her marriage to bassist John McVie sailed smoothly, her betrothal to Fleetwood Mac did little to improve their fortunes. Once again the group shifted its roots, this time by recruiting a Southern California couple, Lindsey Buckingham and Stevie Nicks. With this...
...look relieved. Bass player Percy Heath started plucking his big fiddle. The audience grew quiet. The guitarist, Cal Collins, jazzed in and out of the bass-line. A few heads in the audience nodded. Then pianist John Bunch took it alone for a little while, his hands roaming the keyboard like dancing spiders. The audience listened. Bunch stopped and drummer Connie Kay toyed with the beat. A few heads started bobbing. Then Kay stopped and all four jumped in. Heath plucked a bass line, Collins picked around it, Bunch's spiders danced on top, and Kay drove it along. More...
When embroidering such assumptions, Wolfe rarely sounds serious. Anyone who can describe Jimmy Carter's brand of religious faith as "Missionary lecternpounding Amenten-finger C-major chord Sister-Martha-at-the-Yamaha keyboard loblolly pineywoods Baptist" has not succumbed to ideological portentousness. Yet he clearly is serious−not because he is a closet conservative, but because he is an old-fashioned satirist...